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From: Ringling Bros. and Barnum & Bailey Combined Shows, Route, Personnel and Statistics for the Season of 1949. Sarasota, FL: Ringling Bros and Barnum & Bailey, 1949. Program, staff & performers, statistics. See Routes for this season's route. Not included here are the photographs. Permission to place the information from this route book on the Circus Historical Society website has been provided by Feld Entertainment, Inc., Ringling Bros. and Barnum & Bailey. Circus World Museum's Parkinson Library provided the photocopy of this route book. All information should be checked with additional sources. There will be spelling and typographical errors.
Confounding big top strategists and its own high command, the Ringling Bros and Barnum & Bailey Circus last Spring began topping its 1948 banner Manhattan business even before it opened the 1949 season in Madison Square Garden. By April first, the advance mail orders for seats had reached a new high. Modest, but striking, display ads in the New York newspapers had precipitated the golden deluge of check-enclosed letters, for these ads alone annually inform the New York public of the when, where and how for ticket purchases by mail. Then, as the lines stormed the selling windows in the Garden, John Ringling North's 1949 Edition of The Greatest Show on Earth, the best in 79 years, was in the bag before the band played opening night.
New York acclaimed the new performance, and told the nation via newspapers, radio, magazines and word-of-mouth, from the Atlantic to the Pacific, from Minot to Miami. Capacity and turnaway business prevailed throughout the four-and-a-half weeks Garden run, and often one day's gross exceeded a week's abundant "take" for a two-train circus of former years. Of course, nowadays, there are no other circuses half that large, so there is no current comparison. The Big Show, railroading from Coast to Coast on its four long, streamlined carriers of ninety 72-foot and 84-foot steel cars, is as conspicuously supreme as is the love of liberty in the heart of mankind. And as New York goes so goes the Road — sometimes. But the Road in '49 was uniformly fine.
Boston passed its 1948 mark handily, as did Philadelphia, Washington, Baltimore and other Eastern stands, such as the old home town of Bridgeport, with its 1949 glorious Barnum Festival, now to become an annual New England event. Here and there, very infrequently, somebody turned off the sunshine. Providence, ever the Ringling-Barnum stalwart, flat in a textile spin, fell off, as did some New York State matinees during a week of intolerable heat. But, beginning with Pittsburgh, through Detroit and into Chicago, the Big Show rolled soundly on and on. The Northwest, especially Wisconsin, Minnesota and the Dakotas, the Pacific Northwest and the Pacific Coast — all these vast regions turned in gratifying weeks, and Big Bertha climbed the mountains, thundered across the plains and plateaus, smiling her Mona Lisa smile, serene, unperturbed, packing 'em in and making 'em happy.
But the route of the circus is elsewhere in this booklet, and the real story of a Big Show season is the story of its people. Therefore let's skip it all and get to the new factors that distinguished the tour — the unique time-saving, labor-lessening, aluminum quarter poles, installed for the first time anywhere in the big top at Chicago, and the new, steel-floored bleachers, erected for the first stand under canvas at Washington, D. C. Constructed like the perfected 1949 steel grandstands on unfolding trucks, the bleachers completed the Artony rectangle of 10,000 seats, the last word in circus comfort, now and for 50 years to come. This magic rampart of upholstered chairs and roomy, bench bleachers, with aisles, steel floors and closer view, erectile in 55 minutes, saved many late matinees and paid for themselves thereby many times over.
Another factor, one of long range Big Show policy, was the trend toward exhibitions in civic auditoriums, as in Oakland where the circus used the city's Auditorium Center — its Exposition Building to house the sideshow layout, the midway, the front door and the elephant lines, with the menagerie corralled between the building and the big top, looming large in the sun on its huge parking lot beyond. It was an unforgettable end-to-end layout, as grand a sight as San Francisco from the Bay, where again the show jammed the spacious Cow Palace for four days. Further manifestations of the indoor trend were the 2-day October engagement in San Antonio's brand new Coliseum, officially opened by the Big Show, with the city and the circus joining in state-wide fanfare, and the 6-day stand in St. Louis' Arena in early November, an important departure from routing precedent in that the circus detoured from Memphis to make it and then leaped backward to Nashville to resume its normal Fall itinerary.
Notable among other innovations was the road mail order advance seat sale, with seven men ahead in all stands filling hundreds of letter orders daily, before and during the 4-day advance downtown ticket sale. Starting at Milwaukee, this project of Arthur M. Concello's clicked splendidly, increased business instantly and eliminated largely the awkward, block-long lines of circus patrons which had menaced downtown seat sales as store owners annually saw their usual trade choked off by milling seat buyers.
Yes, the high command of Ringling Bros and Barnum & Bailey Circus is alert tactically and strategically, long on vision and ever audacious in blasting new trails. For instance, a mighty city erects a magnificent building, dedicated to the arts and civic cultural rallys. The directors solemnly don their high hats, white ties and tails for the formal grand opening. They throw open the mammoth portals and what do they see — elephants, big elephants, 64,000 tons of Big Show elephants! Audacious, ever audacious — that's the high command of The Greatest Show on Earth.
Often through the years, I have enthusiastically written of the glories and triumphs of The Greatest Show on Earth. The pioneering enterprise, the organizational genius of my several illustrious uncles, I have remarked in glowing terms. The dazzling innovations, the fresh and sparkling showmanship of my brother John, I have duly and proudly apostrophized. Nor have the inventiveness and managerial talents of general manager Concello been scanted by my pen. Our great stars of the arena, past and present, I have puffed and applauded. So this year, in my editorial capacity and publishing authority, I decree a departure. I do not call your attention to the front office brass, nor to the center ring. I simply ask you to meet three very old and very dear friends — Sam Clark, Grease, and Chicken Charley.
Sam came out of Baraboo with the Ringling Show in 1902. He left us this summer in Butte, where he was hospitalized after a heart attack. In between those dates he never missed a season and rarely missed a day. He was the best seat man that ever lived. He is recovering his health, is pensioned and retired and I miss him very much.
Now — meet "Grease." He is a slight, wiry, wisp of a colored gentleman — and just that — gentle in speech and manner — a man in the work he does now and has been performing so faithfully for us since 1909. Grease, at 72, is still a big top rigger. They don't come any finer.
And, finally, now join me on the platform of Car 66 most any morning, practically any place in the U. S. A., and we will greet "Chicken Charley." Charley is the dean of outside porters and though he handles the complex duties of that department with deft distinction, he finds ample time for an interesting variety of extracurricular activities. He is 4th section circulation manager-at-large for the nation's newspapers. At one time he frequently reestablished the validity of his sobriquet. He still preserves his interest in certain nocturnal activities in the vicinity of the Wicky Wagon. But best of all, he remains as he has always been, a wonderful, lovable character of his own creation.
And so, because there is still such a fine and simple thing as friendship in this otherwise rather naughty world, we conclude another season.
Changing pace from Bible to Circus after putting the finishing touches on his new movie, "Samson and Delilah," Cecil B. DeMille joined the Ringling Bros and Barnum & Bailey organization this summer to work sixteen hours a day to get "the feel" of The Greatest Show on Earth the subject and title of his next great screen production. Beginning his tour in Chicago and traveling through Wisconsin, Minnesota and North Dakota to secure circus atmosphere, ideas and angles for the forthcoming picture, Mr. DeMille soon won the admiration of the people with the Big Show. They enjoyed watching him work and keenly appreciated the business-like manner in which he went about it. The maker of motion picture masterpieces was friendly and gracious at all times, as were the members of his party, which included Gladys Rosson, charming secretary-treasurer of Cecil B. DeMille Productions, Inc., who has been looking after details for Mr. DeMille for 36 years; Fred Frank, outstanding screen writer, and the famous producer's red haired, freckle faced, thirteen-year-old granddaughter, Cecilia DeMille Calvin.
Attired in gray riding breeches and tan puttees, Mr. DeMille covered the world's largest traveling amusement institution from stem to stern to get the facts of circus life. He mingled with the crowds, studied expressions on the faces of circus-goers and spent as much time with the working forces as he did with the performers. But at show time, every afternoon and night, he was in the big top, squinting through his camera finder at the acts and features of the gigantic program. He quickly scribbled notes, mostly camera instructions. Through the finder he saw how the performance would look upon the screen.
On his sixty-eighth birthday at Madison, Wisconsin, August 12, Mr. DeMille had himself tied into a bo's'n's chair and hoisted to the big top's peak. He wanted to look down on a flying trapeze act and high-wire display. While aloft, he noted where to place equipment to film what he had seen. When Mr. DeMille left the circus at Minot, N. D., August 20th, press releases quoted him as saying, "I've had a grand and valuable tour with a wonderful organization, truly The Greatest Show on Earth." Later he rejoined the show in California, and he plans to be with it again at winter quarters in Sarasota, Florida. At this time Mr. DeMille has no preconceived story or stars in mind. He is formulating plans as he goes along and believes the filming of the picture will be a long and difficult job.
John Ringling North, President
Robert Edward Ringling, Chairman of the Board
Henry Ringling North, Vice-President
Edith C. Ringling, Vice-President
Leonarad G. Bisco, Secretary
George D. Woods, Treasurer
Edward F. Kelly, Assistant Vice-President
Directors
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John Ringling North
Robert Edward Ringling Henry Ringling North Edith C. Ringling |
George D. Woods
Herbert Duval William P. Dunn |
Executive Staff
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Arthur M. Concello, General Manager
Frank McClosky, Manager Willis E. Lawson, Assistant Manager Lloyd Morgan, Lot Superintendent Theo. Forstall, Treasurer with Show Herbert Duval, Legal Adjuster Noyelles D. Burkhart, Asst. Legal Adjuster |
Waldo T. Tupper, General Agent
J. C. Thomas, Traffic Manager Roland Butler, Publicity Director Pat Valdo, Director of Perfomance Mrs. Harry Thomas, Secretary to the President Grace Killian, Secretary to General Manager Daniel Jacobs, Secretary to Manager |
James R. Griffin, General Auditor
Fred J. McKenna, Assistant Gen. Auditor
Violet Johns, Secretary
Herbert H. Sicks, Purchasing Agent
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Doris Gault
Nena Joyner |
Gay Gault
Ena Jahn | Marie Joyner |
Chicago Office, 139 N. Clark St.: Nat Green, Representative
Publicity Department
Roland Butler, Director
Press:
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Roland Butler
Frank Braden |
Gardner Wilson
Allen J. Lester |
William Fields
Estelle M. Butler |
Good Will Ambassador: Frederick V. Bowers
Contracting, Outdoor Advertising and Traffic Departments
Waldo T. Tupper, General Agent
F. A. Boudinot, Assistant General Agent
J. C. Thomas, Traffic Manager
Susan Staton, Secretary to General Agent
Contracting Agents: Al Butler, Leon W. Pickett
Adv. Car No. 1
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John J. Brassil, Manager
Edward Riley Joseph Bernstein George Orth E. E. Saxe Edwin Jackson Norman Larrivee |
Walter Clark
Thomas Brassil Philip Graham Wm. Schrayman Julius Marcus George Krouil |
James Pierson
H. L. Richards E. J. Ross R. P. Deckman Charles Smith H. A. Burdge |
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Clyde Carlton, Manager
William F. Albers Mack F. Adams |
S. I. Boudinot
S. J. Clauson W. J. Faulkner |
G. P. Hale
Harold Barrows Paul Campion |
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Lee S. Conarroe, Manager
LaRue Deitz |
Herbert C. Goerke
Benford Garrison |
Samuel Oken
William L. Dowd |
Banner Puller: Joseph Brown
Lot Superintendent
Lloyd Morgan
Assistants: William Dwyer, James C. Ringling
24-Hour Men: William L. Carr, Leonard Aylesworth, Harry (Bottles) Vernotzy
Medical Department: Dr. Arnuf R. Pils; Gerald J. O'Connor, First Aid
Time Keepers: Grace Killian, William Webster, Joseph Dunn
Mail Agent: Arthur W. Cooksey
2 Way Radio Communication: Edward R. Versteeg, Supt.; George Takacs, Jr., Asst.
Utility Man: Orville F. "Curly" Stewart
Police Department: William H. Reynolds, Supt.
Purchasing Agent: Elvin "Sheriff" Welch
Forage Agent: Cecil R. Montgomery
Commissary: Philip A. Langford, Clifton J. Sparpana
Personnel Buses: Lawrence Wilcox, Supt.; Thomas Cropper, William P. Robinson
Program Department
The Circus Magazine, Harry S. Dube, President
Will Karshan, Advertising Sales Representative
C. A. "Red" Sonnenberg, Sales Manager
Salesmen: Joe Wilbur Seitz, "Bones" Brown, John "Doc" Hall, Carl "China" Durbin
Insurance and Auditing: Wallace R. Love
Ticket Wagons
Red Wagon: Theo. Forstall, Jack Youden, Udo F. Kurka
White Wagon: Bernard Friel, Walter Rairdan
Yellow Wagon: Wm. P. McGough, O. E. "Gene" Lynch
Ticket Department
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Thomas C. Haines, Superintendent
Michael Gradis, Asst. |
Mark M. Johnson
John M. Maguire |
Walter O'Hare
Frank Pietras |
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Richard R. Iannone
Lawrence J. Vogt |
Thos. J. O'Hare
Joseph Bainbridge |
Richard Begin
Frank Attardi |
Front Door
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Harold R. Genders, Superintendent
Mitchell Mallette Jas. J. O'Neill |
Lewis E. Rosen
Michael D'Addario John Tyter |
Stanley Gripp
Everett Salem John Logan |
Tax Wagon: Edna R. Antes, Clarence D. Curtis
Performance
Pat Valdo, General Director
Harry Thomas, Equestrian Director and Announcer
Antoinette Concello, Aerial Director
Liselotte Rachmann, Secretary to Gen. Director
(Fred Bradna, Equestrian Director Emeritus)
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Felix Adler
Rose Alexander Paul Alpert ALZANA TROUPE: Charles N. Davis Harold Davis Elsie A. Davis Minnie Davis Hilda Pincemin Jimmy Armstrong Nina Asgard ASIA BOYS: Shou Yong Kong Kuen Lai Fock Sang Lee Rosa Wong Lee Bella Attardi Jerry Bangs Henry Bedow Florence Begin Charles Bell Emma Bertolaccini BOGINO TROUPE: Andli Bogino Ugo Bogino Afer Bogino Manuelito Bogino Fernando Bertolaccini Monaldesca Recelli Renzo Recelli BOKARA TROUPE: Max Schaefer Mathias Schaefer Emma Schaefer Roland Kaiser Guenter Fritko Gretel Smuda Horst Bischoff Max Frimherger BOSTOCKTROUPE: Jack Bostock Hans Bostock Robert Brown BRUNN TROUPE: Francis Brunn Michael Brunn Lotti Brunn Ernest Burch Edward Buresh Arthur Burson Irene Burt Loraine Caruso Phyllis Caruso Emma Castro Esther Chancy Tony Cole Dolly Copeland Arthur Cooksey Nina Cristiani Damoo Dhotre Lola Dobritch Robert Dover DEL MORAL TROUPE: Manuel Del Moral George Del Moral Esperanza Del Moral Joan Del Moral Maria L. Patchecko Cilly Feindt Friedo Feindt Martha Feindt Alice Fitch Ruth Flagel Sue Fox FRANKLIN & ASTRID: Astrid Schlichting Ernst Schlichting Katherina Schlichting |
FLYING TRAPEZE ACTS:
Antoinette Concello Kay Burslem Jimmy Crooker Willy Krause Gene Sleeter Agnes Matausch Dick Anderson Fay Alexander Karl Durbin Dorothy Durbin Willy Robbins Ann Robbins Grace Genders GERALDOS: Madeleine Rousseau Rene Rousseau Jacob Gerlich Homer Goddard Ed Green GUTI TROUPE: Erich Gutsche Karlheinz Gutsche Margarete Gutsche Elvira Gutsche Norbert Kreisch Walter Kitschke Charlotte Hager William Hanlon Rose Hanlon Fred Hanlon Martha Henderson Ami Honkola Paul Horompo Lou Jacobs Paul Jerome JOANIDIES TROUPE: Jonny Joanidies Nikolas Joanidies Wanda Joanidies Elizabeth Johnson Evelyn Johnson Toby Jorio Paul Jung Elsie Jung Margie Kai Emmet Kelly Bonnie Kernan KLAUSER'S BEARS: Walter Klauser Maria Klauser Hertha Klauser Jean Krause LA NORMA: Norma Fox Andre Fox Jack LeClerq Jackie LeClerq LOYAL TROUPE: Gustino Loyal Aldo Cristiani Lucretia Darnay Andli Bogino Kathrine Kramer Rusti Parent Fay Romig Elizabeth Wight LOS ONAS: Antonio Garcia Fred Reisch Dolores Martin Frank Luley Fanny McClosky Laura McKenzie MANDOS TROUPE: M. von G. Vanderbemden Roland Vanderbemden Johanna Walchshofer |
MARGAS SISTERS:
Lotte Lang Margot Wiedenmann Henny Wiedenmann Gloria Mash Tom Mason Rudolph Mathies Edward Milan Mary Jane Miller Ira Millette Polydore Mortier Rosita Moyer Eugenia Mrocskowski Czeslan Mrocskowski Dolores Murphy Louis Nagy Harry Nelson John Nelson Robert Nelson Ruth Nelson Lorna Nifong Myron Orton PETERSONS DOG ACT: Carlis Petersons Inge Amalle Wagner Carlis Fisera Alma Piaia Alberto Piaia Liselotte Rachraann John Reilly Delbert Rhamy ROBENI TROUPE: Brik Ben Ider Lahrsen Ben Ider Habiba E. Robeni Fatima Marschany Mohamed Marschany Subita Marschany ROMANO TROUPE: Romano Meluzzi Armando Meluzzi Natalino Meluzzi Roberto Meluzzi ROLA-ROLA: Yvonne Maciel Marcel Maciel Fay Romig Irvin Romig Loraine Russo Frank Saluto Hugo Schmidt Rita Schroder Al Schwartz Marion Seifert Peggy Shepard Karl Stephen SWANSON: Willy Schwan Margaret Schultze Ann Towne Mary Tahmin Natalie Tock John Triplett TRISCO: Anna D. Van Gurpe Frederich Hermsen UNUS: Franz Furtner Valentina Furtner VALOIS TROUPE: Claude Valois Serge Palanque Maxie Walker William Warner Jean Weltin Paul Wenzel Lillian Wittmack George Wong Albert White ZAVATTA TROUPE: Emilio Zavatta Mietitori R. Zavatta |
Big Show Band
Merle Evans, Director
|
Clarinets:
Antonio J. Ramirez Everett Gavin Nicholas Altroth Gene Ray Fred Dini J. C. Colliver Cornets: Jack Carroll Albert J. Hiltensmith Frank E. Sering Joseph Browning James Downs Jack Sparrowhawk |
Trombones:
Lewis D. Bader Gene Morse George Roye Andrew Grainger Flute and Piccolo: Max C. Ring Basses: Bob Beatty Harvey G. Phillips Organ: William E. Sten |
Horns:
Paul S. Davis Frank J. Simaner Harold Logan Baritones: Clarence L. Bennett John Horak Snare Drums: William Ray Floyd Bass Drum: Rollin E. Sherbondy |
Side Show
William McKitrick, Manager
Charles Zerm, Assistant
Ticket Sellers: Joe Barbetta, Paul Thomas, Art Comstock, Charles Zerm
Ticket Takers: Robert Kelly, John Susko
Lecturers: Walter Paul, Lloyd Priddy
Supt. Sound Projection: Robert Lee Brazil
Attractions
Earl Graham, Juggler
Sam Alexander, Two-Faced Man
Charles Barent, Sealo
Irene Parry, Fat Lady
Rose Westlake, Sheep-Headed Girl
Lloyd Priddy, Magician
Eugene Pape, Thin Man
M. Kutty Singlee, Fire-Proof Man
Alex Linton, Sword Swallower
Freda Pushnik, Armless & Legless Girl
J. K. Petursson, Giant
Daisy Doll, Grade Doll, Tiny Doll, Harry Doll, Tinytown Midgets
Don James, Muriel James, Malcolm Caldwell, Robt. Kearney, Glass Blowers
Hawaiian Troupe — David Naeole, Jr., Director & Guitar; Guy Rodda, Guitar; Alma Cox, Steel Guitar; Alola Naeole, Erma Pushnik, Piilani M. Spencer, Josephine Helbing, Bonnie Novak, Dancers
Property Department
Robert F. Reynolds, Superintendent
Assistants: Walter Kernan, George Matausch, John M. Carson, John M. Trimaj, Fred M. Bennett, Mike M. Petrillo
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Albert T. Hurst
Arthur Jablonski Robert C. Kirkwood Helmer E. Lindh Murl L. Littlepage Lawrence Morris Frank Navatny Emery Nelson Stanley Nikiel Francis V. Phelan Charles Robertsen William J. Schevey Edward R. Schuster Vincent A. Schweizer Richard G. Skiles |
Howard N. Welker
Clarence W. Woods Chas. White Howard J. Witzel Mike Zobowa Edward T. Larner Harry Zechner Ray W. Adams Leslie L. Aliff Theodore Anderson Frank J. Angelo James P. Barnes John Bishop Frank Blaker Martin Britton |
Edward S. Bushey
Tommy J. Clarke Robert L. Coleman James W. Collins Joseph Contreras Gustav A. Cron Edward Danials Albert Drolet Donald J. Dunn Vern Eldridge James E. Elmore William S. Fisher Howard Hacker Stephen S. Hartman Joseph F. Hawkes |
Joseph J. McCarthy, Superintendent
Ray W. Rowan, Assistant
Jean Carson, Wardrobe Mistress
Genevieve McCarthy, Asst.
Wm. K. Whiteheart, Tailor
Wm. C. Nice, Sign Painter
Geo. R. Poole, Carpenter
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Sheila Blood
Thelma Floyd Ruth Millette Mildred Persinger Adolph P. Bekawich Ernest E. Bugg Hugh Burgoon Chas. Dillon Joseph Evonovich |
Ralph A. Francis
Alfred Galdoni Almore J. Grenan Clair W. Jobson, Sr. John P. Karl Thomas A. Kowalewski Joseph W. Land Peter McAllister William M. Matthews |
James J. Moriarty
George W. Robinson Richard A. Simmons William R. Snyder C. C. Spillman, Jr. Duane L. Thorpe Benjamin O. Wilson Bert H. Wilson Arthur G. Zutell |
Vincent Dorr, Superintendent
Assistants: Joseph Costa, Dare Barlow
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Roy Bates
Irving D. Abell Robert L. Keatty James Cowan |
John Nematz
John B. Pelkey Roland Shaw Jack Sinclair |
Charles J. Tanner
Robt. F. Albright Fred Wells Dewey T. Ledbetter |
Animal Acts: George Didrichson, Albert Kaufmann
Gorillas
Jose Thomas, Superintendent
Joseph A. Medeiros, Herb Sanches, G. F. Pagel
Elephant Department
Hugo Schmidt, Superintendent
Assistants: Vernon Duffy, John O'Neal, Joseph L. Grassi
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C. Baudendistel
Wm. Bennett Evan J. Bull W. H. Chauvin H. J. Demuth Fred Garvey |
Geo. W. Harmon
Robt. E. Hoffman J. M. Hornsby S. S. Karpowski Sinclair MacLeod Jas. McFarland |
Edw. J. Mello
George Roth S. L. Scheller Robt. J. Wild H. Witherwax H. A. Trinnler |
Harriston E. Johnson, Supt.
Lowell Brideson, Asst.
H. V. DeMoss, Asst.
Harry Smith, Horseshoer
John Harrington, Asst.
Roy Stout, Harness Maker
|
Andrew L. Baker
Harry L. Baker Joseph Bean Chas. L. Brown Hoyt E. Butler B. J. Cassick M. J. Clemens C. E. Cook R. E. DeWeese R. C. Faughman J. J. Faulkner O. J. Harnack C. A. Johanson |
Thos. C. Johnson
Willie C. Karr Goerge C. Kelz C. D. Loud, Jr. Fred Lovell Thomas K. Lynn B. J. McCarthy P. F. McHale Owen McQuade M. L. Musick John J. O'Grady D. W. Pellerin P. B. Petersen |
A. M. Petersen
Harry W. Porter Frank Purcell Earl W. Rehrig Vincent A. Sheck Jim D. Stephens Robert H. Smith Keith Tessner Wallace Till R. R. Van Denplas Wm. Warnecke R. W. Wells |
Stables Department
John J. Meck, Superintendent
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Walt Blackford
Eldon De Hart H. F. Harris E. F. Southerland Fred C. Clark |
Kyle Fielder
Thos. Jefferson Leonard Stokes Glenn M. Williams |
Martin Gushing
Wm. E. Forney James A. Shea Theo. R. Weaver |
Canvas Department
George E. Werner, Superintendent
Assistants: Walter H. Bingham, George Kelley, Samuel Clark, John C. Perrino
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Wm. Anderson
Jack Anthony Jose Aquila W. Baskerville Jos. Bayliss Erwin Bindt King Blair Simon Blakely Tom Brown Wm. Brown Eason Bynum Jas. Chapman Sam W. Clark Francis Clark Wilbur Cole D. P. Connelly Cliff Corbett Elisha Cotton Fred M. Craig J. C. Cranfill Allen Drew, Jr. Robert Dupree William Eoff P. V. Flournoy |
John Hardin
Tom Hawkins Howard Herman Earnest Hicks Wm. C. Jenkins Matt Kranse Arnell Lane Chas. Logan Harold Lowry Jake McGlothin Henry Jones Frank Junius Earl King Monroe Mayes Chas. Mitchell Elmer Mitchell Harry Monroe Danial Moore Ervin Moore S. Myrtledove Clyde Nichols James Owens Edmond Painter George Poole |
Herbert Polk
Chas. Reynolds A. Richardson Peter Roberts J. N. Robinson Frank Roy R. Schimming Frank Shell Wm. R. Shores Chas. Simmons Wm. Smith Roy Stegenan Gordon Thomas Andy Johnson Herman Walters Richard Ward Geo. Williams Wood Williams Aaron Wilson Thos. Wilson Earl Wood James Wood James Wright |
George Escalara, Superintendent
Joseph M. Lynch, Assistant
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Walter Arnold
Edgar Bunker Lester Eshelman Daniel Parker John Bartram |
Jack D. Cox
Thos. Maxwell Hobart B. Rife Stanley Urban |
B. A. Bellanger
Oliver Mapes Rene J. Omin Edw. Przysucha |
William Dwyer, Superintendent
|
Wilbert Arrington
George E. Austin George Bristel L. C. Bolden Milton Brown Stephen Brown Raymond Brown Clyde Bullard Wm. F. Case |
Michael Dulczak
J. H. Greathouse Chester Gritt James Hayes James Headrick Bobby L. Jones Donald T. Jones Henry J. Jones |
Joe H. Mahone
Claude Mitchell John P. Moriarty Arthur Moyen James Pates John C. Regan John E. Sawyer Lucious Williams |
Lester Thomas, Superintendent
Assistants: Chas. E. Seese, Thos. H. Sumrall
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George Bailey
Emery Belcher Richard Caron Chas. L. Fowler Wm. F. Green Dwight Hobson John E. Hunt Earnest Jenkins F. J. Kantorski |
Chas. R. Linville
August Lizana Jas. E. McGrath Jas. P. Mallon J. W. Martin, Jr. Clinton Moore James Paschall Thomas Quinn |
Aubrey Roberts
Chas. A. Schumann James O. Siford Jim E. Spice Dale E. Trent George J. Young Joseph Conlon John C. Wade |
George J. Blood, Superintendent
Assistants: Archie E. Blood, Frank Bowen, Albert Welch
Joseph H. Lenz, Butcher
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J. J. Archer
Kelmer V. Arndt Horton Banks Chester Bedluski Clyde L. Bigger Joseph Boswell Chas. A. Brant William Brown E. W. Burkhardt Mathew Carroll Frank J. Curtis Robert Davis Walter L. Deal A. J. De Chiarra Steven Deus Francis M. Dillon Sonny Dyers John J. Egan Joseph A. Fecteau Joseph A. Fellman James F. Fleming Basil B. Freeman |
James S. Gillon
Walter Greb A. D. Harcourt John P. Helm Earl W. Hocking Wm. Hoffman Louis Horvath Robt. S. Jackson Forest S. Jones James J. Keenan Walter Kloss Ralph Leaf Nathaniel Lewis Lucis Janis Herman E. Lydell Don V. McNeese Alex L. McNeil Benjamin Major H. F. Matthews Minor Oldham M. S. Partick |
Fred T. Potter
Eugene Randolph Albert J. Skorb Alexander Scott Jerome L. Sellman Raymond W. Seal Hoyt E. Simpkins Clayton R. Sorgen C. B. Szabo Lyman Thomas Edelie T. Thomas Henry Thompson William Thurston Robert F. Turney Arley A. Vannest Wm. F. Washburn James E. White Joseph White Murray Whited John D. Wilson R. G. Wininger |
William Yeske, Superintendent
Edwin W. Yeske, Assistant
Mrs. Mary N. Yeske, Welder
Gilbert C. Englehart, Giles Lamb, Chas. D. Noecker, George W. Tomlinson, Baylis F. Watkins
Light Department
Edward R. Versteeg, Superintendent
Assistants: John E. Johnson, Arthur Larson, Ben Benson
|
Winthrop Aborn
Howard T. Barr R. W. Brooks H. E. Carberry H. L. Dickau D. D. Driggers Harry Freeman R. D. Gordon Earl Hess John Kalekawa F. J. Karcouski |
R. C. Kaufmann
Edward Kelly H. Mazgardian W. R. Menard Chas. E. Muse C. L. Needham Lloyd E. Nelson Michael Pavlick R. B. Proctor Robert M. Rand Jas. E. Reynolds |
Norman Smith
A. J. Stevenson R. E. Stewart George Takacs Robt. W. Tuttle Mark H. Watson Frank Weber Oliver Wescott E. L. Whitaker Kiser Whitaker |
David Blanchfield, Superintendent
Daniel F. Gill, Assistant
|
Thos. W. Boblitz
John Crozier Edward E. Curry George F. Davis Raymond M. Davis James R. Dixon James T. Duval Chas. W. Gillis John Hannaford Raymond Harkins Jos. Helfrich Perry Howard Harry M. Kline |
Floyd R. Loggins
Jack R. Lundell Carl J. McGee Delbert H. Maxon Eugene L. Mullen George W. Norris Raymond P. Payne S. G. Phillips George W. Rehahn Steve Rhinesmith Kenneth Robbins Alvin Sandlhauser |
James G. Sapp
Clarence Springer Charles Spurlock Jos. E. Stafford Joe P. Taylor Millard Thomas Dan M. Tucker Thomas F. Viola Albert Waldron Clayton Walls Emmett Welch Donald Wilson |
Joseph D. Yuhasz, Superintendent
Assistants: Fred Baker, Arlington Whittaker, Edward Monahan
|
George S. Adrian
James Allen Teasley Baker Chas. D. Barr Edward F. Bowman Mathew V. Breen Clarence Brooks Edw. J. Bonsall Chas. R. Checkley Wesley Clymer Chester Damon Joel Ethridge Wm. H. Fowler |
Harry C. Fowler
Levi General K. M. Genious Edw, J. Griffin Harry F. Hannon Robert M. Harris Louis F. Julius George W. Jones Thomas Kanavy Victor G. Larson Albert F. Loar Phillip Lynch Robert H. McGee |
Jess Manning
Edw. J. Martin George Mays Kenneth J. Mears Francis P. Moran Robert W. Payne Buford L. Polk Peter Regudon Chas. W. Scott Frank C. Setting Eugene Sheldon Herbert Taylor Alfred E. Wall |
Joseph Nash, Superintendent
Chas. J. Montecino, William H. Walters, James A. Moore, Paul Parisi
Miller Brothers Concessions
Frank C. Miller, Paul Miller
Jack Harris, Assistant
Pat Connolly, Midway Manager
Novelty Department
Morris Gustow, Manager
M. Gustow, No. 1 Stand
A. Starin, No. 2 Stand
L. Gustow, No. 3 Stand
L. Rich, No. 4 Stand
L. Blumenthal, Menagerie Novelty Stand
Seat Men
L. Gohosky, N. Klein, M. Zentner, I. Chrzan
Stock - W. Powell; Supplies - H. Carter
Midway Eating Stands
Diner: W. Maguire, Manager. H. Lutins, H. Andrew, I. Maxwell, M. Moran, F. Johnson
Stock Wagon: O. Smith, Manager. E. Hall, J. Galloway
Frozen Delight: Max Miller, Manager. K. Kubilus, F. Mills, J. Pilla
Soft Drink Department: Sam Washington, Manager. J. Grumley, J. Thompson
Candy Floss: W. Moyer, Manager. A. Christiana, F. Weir, J. Miller
Midway Stand: R. Newman, Manager. W. Richards, L. Williams
No. 1 Stand: P. Fisher, Manager. P. Orth, C. Pack, R. Shelton
No. 2 Stand: P. Anderson, Manager. H. Mansfield, J. Farmer
Back Yard Lunch Stand: W. Coyle, Manager. R. Swain, A. Gilbert
Candy Top: Mel Hamlin, Manager; W. Kornberg, Checker; J. Sanders, Stock
Popcorn: J. Littler, Manager. G. Gresham, H. Walstrom, J. Woodard, J. Loken
Menagerie Stands: Jake Besser, T. Nadaros, S. Vaccaro, Frank Morris, Paul Reichen
Seat Butchers:
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E. Drucker
S. Gregory P. Pranckunas B. Macelis F. Viola R. Jones P. Williams |
B. Berke
W. White P. Billings M. Shanks K. Pranckunas R. Quigley T. Wallace |
H. Wolanke
L. Forrestal J. Spencer F. Kora E. Jakubowski J. MacLean M. Kora |
Chauffeurs: Fred E. Bartlett, Harold Nicholson, George Foreman, Kenneth Gwinnell, Philip V. Hall
Usher Department
Peter Grace, Superintendent
Assistants: Earl Cline, Julius J. Gerlick
Porters
John W. Ahearn
Lewis E. Brown
Clarence Chancey
William Crockett
Chas. W. Crowe
Tony Dateo
Chas. E. Devlin
Knute Otto Erickson
John B. Gallagher
Ellis V. Haynes
Chas. F. Hildreth
John J. Hilferty
Austin A. Howard
Joel L. Howard
John G. Kilpatrick
Edward A. La Course
Edward McAleer
Daniel W. McCarthy
Kenneth H. McConnell
Paul G. McGuiness
Jack F. Mitchell
Angelo N. Nicholas
Joseph P. Nolan
Joseph I. Peloquin
Sherill Price
James J. Randolph
C. M. Roberts
Woodard O. Royal
Gilbert Steckline
Walter Uchniat
Vincent E. Venables
James E. Warren
Joseph S. Zibreg
Charles J. Burslem, Superintendent
John F. Martinez, Assistant
|
William E. Bailey
John J. Burke Richard N. Donker Harold C. Floto John P. Gebarti John H. Grant Clinton W. Hall Stephen F. Harchar Walter Herzig Chas. Hill |
Chas. Hoskins
James C. Jackson Hubert Jefferson Charles Landt Walter C. Lee Ben F. Lowe Willie Lundy Arthur C. Lunt Russel H. McCloud |
Horace McDonald
Charles Morris David O. Myer Robert Nordon Robert G. Paul Agnes B. Stewart Lynn Wallace Robert Washington Riley Wiggins |
Private Car No. 66: Earl A. Arseneau, Mack Plyler
Private Car "Jomar": Anthony Pollett, Butler; Rene Fuss, Chef; Virdell Lewis, Maid
Big Top Maid: Hester Wilson
Laundry and Dry Cleaning Departments
Foy Large, Supt.
Richard Burns, Supt.
Alfonzo Baker, Eugene Byrd, Carl Christensen, Ollie Stinnette
Department of Sanitation
James Horsburgh, Superintendent
Charles Carter, William Shores, Howell Mickpee
Ice Department: Scotty Horsburg, Superintendent
Watchmen
Back Yard: Andrew Robinson, Superintendent
George De Witt, Red Ticket Wagon
Paul Haas, Special
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Robt. E. Hampton
Joseph Flanagan Harry A. Bair |
Melvin Johnson
George Whitmore |
Wilbur E. Bowman
Arthur T. Martin |
Tent Mfg. Dept., Sarasota, Florida
Leif Osmundsen, Superintendent
Osmond Osmondson, Foreman
Sail Makers: John D. Auldridge, M. D. Owens, James B. Burrell, James Taylor
Machine Operators: Corene M. McElreath, Anna M. Miller, Viola I. gallant
Winter Quarters Maintenance, Sarasota, Florida
Tim Milburn, Foreman
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Frank Burgett
Chas. G. Snowhill |
O. L. Daniel
John Miller |
Wm. Kachelries
Geo. S. Porter |
Produced by John Ringling North. Staged by John Murray Anderson. Designed by Miles White. Musical composed by Henry Sullivan, lyrics by John Murray Anderson.
Pat Valdo, General Director
Richard Barstow, Choreography
Thomas Farrar, Art Director
Antoinette Concello, Aerial Director
Herman Rosse, Decor
Harry Thomas, Equestrian Director
Merle Evans, Musical Director
Sammy Grossman, Orchestrations
Don Orlando, Vocalist
Doug Morris, Lighting
Frank Thompson, Assistant to Mr. White
Display No. 1 - Man Killers, Trained but Untamed, Exhibit in Striped Fury and Shaggy Subjugation Their Educational Achievements.
Oamoo Dhotre's Black and Spotted Leopards, Pumas and Black Jaguars.
Claussen's Bears, "Bruins That Act Like Men" First Time in America.
Rudolph Mathies, Giant Royal Bengal Tigers
Display No. 2 - The Ringling Clowns — and Their Washing Machine. The Nuttiest Misplaced and Displaced Characters Ever Loosed From the Bedlam.
Display No. 3 - The Ugo Troupe, High Vaulting Leapers in Soaring Somersaults from Springboards over Massed Elephants.
Display No. 4 - The Outstanding Bareback Riders of the World Compete in a Star Spangled Equestrian Tourney.
The Riding Zoppes, with Cucciola the Midget Centaur.
The Justino Loyals, featuring Justino. Horse-to-horse Somersaulting.
The Riding Bostocks with Marion Seifert.
Display No. 5 - The Comedy Rage of Europe — Mimicry That Shook the Continent, Rattled the Iron Curtain and Eased the Strain on the Air Lift Heroes.
William Warner Company, Horizontal Bars.
Guti's Gorilla Parody, first time in America.
The Zavattas, Comedy Bounding Rope.
Display No. 6 - Imaginatively Conceived in Fantasy and Beauty, the Supreme New Pageant Spectacle "Birthdays." A Musical Horoscope in Which the Natal Days of Beloved Mother Goose Characters Are Merrily Celebrated in Fabulous Fancy and Rainbow Radiance.
Produced by John Ringling North; Staged by John Murray Anderson; Costumes Designed by Miles White; Special Music by Henry Sullivan; Choreography by Richard Barstow.
Display No. 7 - The Greatest Sensation of All Time — The Talk of Two Continents.
The Incredible Los Onas, Unbelievable Achievements Aloft.
The Debonair Unus, the Man Who Stands on His Forefinger.
Del Morals, in Amazing New-balancing Feats First Time in America.
Display No. 8 - The Chalk-faced Clown Family of "Little Sardinia" Defys Claustrophobia and Suffocation in an Automobile Ride to the Airport. The Droll Travelers of Ringlingville.
Display No. 9 - Three Matched Troupes of Superlatively Trained Liberty Horses Presented by World Famous Master Trainers.
Gena Lipkowska, Czeslan Mroczkowski, Andre Fox.
Display No. 10 - "The Girl in the Moon," an Indescribably Stunning Aerial Ballet. Introducing Europe's Premiere Ballerina of the Air. With Sixty Smiling Girls in Sixty Smiling Moons.
Kay Clarke of the World Famous Clarkonians.
Lovely Alma Piaia, "The French Falcon of Flight," first Time in America.
Jean Sleeter, of the Famous Flying Brontes.
Display No. 11 - Hold Your Hats. Folks! Here They Come Again! The Clowns — 100 — Count 'Em — 100. The Famous Funsters of the Greatest Show on Earth.
Display No. 12 - The Most Sensational and Thrilling Novelty Display of the Decade. Presenting the Venus and Adonis of the Andes.
The Grecian Joanidies, Unbelievable Juggling Feats on the Slack Wire.
Rola Rola Duo, Incomparable Artistry on the Rolling Globe.
Lola Dobritch, Toe Dancing Queen of the Tight Wire.
Display No. 13 - The Dynamic Juggling Genius — "The Nijinski of the Magic Globes."
The Asia Boys, Oriental Equilibrists.
Francis Brunn, the Greatest Juggler of the Ages. Greater than the Great Rastelli — and Ten Times Faster.
Franklin Astrid Duo, Equilibrists Unrivaled First Time in America.
Display No. 14 - The Greatest Actors in the World Back in the Three Big Show Rings, Where They Have Starred for 79 Years. The Elephants Supervised and Trained by Hugo Schmidt.
Display No. 15 - Lou Jacobs and His Midget Auto. The World's Smallest Automobile, Carrying the World's Funniest Clown, Is Serviced at the World's Smallest Filling Station in Calamity. Disorder, Complete Confusion and Befuddlement.
Display No. 16 - Internationally Renowned Aerial Stars, Defying Death in Spine-tingling Exploits.
The Three Margas Europe's Daredevil Darlings in High Aerial Volts. First Time in America. The Great Trisco.
The Mandos Sisters, Triumphant Novelty - Startling, Lofty Two-high, Foot Revolves. La Norma, First Time in America.
The Great Swanson, in Suicidal Plunges with His Neck in a Hangman's Noose. First Time in America. Ira Milette.
Display No. 17 - Magnificent New Panoramic Pageant — the Big Show's "Salute from the Saddle" to the Centennial of the California Gold Rush — "San Francisco." '49ers in an El Dorado Horse-fandango, Golden Gate Geared.
Claude Valois, France's Gracious Gift to the World of Stellar Dressage. Equestrianism on Her Wonder Horses.
Lilian Wittmack, Europe's Foremost Horsewoman in Dressage Expositions on Her Famous Arabian Steeds, First Time in America.
Cilly Feindt, World Famous Star of Dressage Horsemanship and Her Renowned European Lipsaner. Haute Ecole Equines.
Display No. 18 - Amusing Animal Comics in Drills, Drolleries and Incredible Accomplishments - a Gesture to Junior.
Patterson's Liberty Ponies, first Time in America.
Charles Peterson's World Famous Jockey Dogs Pyramiding on the Backs of Galloping Ponies. First Time in America.
Bostock's Erudite Mules.
Display No. 19 - The Clowns Are at it Again. On a Tidal Wave of Laughter. They Sail into Their Own Fun Jam with the Nuttiest Nonsense They Can Devise. The Clown Crazy Number.
Display No. 20 - All the World Loves the Flying Acts and to Many They Spell Circus. This Year Marks the Return to the Spotlight of the Greatest Girl Flier of All Time - Antoinette Concello, Only Girl in the World to Achieve a Triple Somersault to a Hand-to-hand Catch.
The Flying Artonys.
The Flying Concellos, Starring Antoinette Concello, "The Big Top Goddess of Flight.
The Flying Comets
Display No. 21 - Shades of Little Red School Houses! The Ringling Clowns Strike a Serious Note. They Must Exploit the Boon of Book Learnin'. Nothing Can Stop Them. Daisy-Chaining Through Barrages of Split Infinitives and Double Negatives. They Converge on the Circus Campus Solemnly as Educated Men. Scholars All - Bachelors of Buffoonery in "School Daze."
Display No. 22 - An Action Congress of the Champion Acrobatic Stars of Five Continents in Hurricane Tempo and Sky Rocket Voltage.
The 3 Acros; the Robenis; the Great Bokaros, First Time in America; the Boginos; the Romanos.
Display No. 23 - Matchless, Alone in Their High Hazardous Sphere on the Lofty Wire. The Famous Monarchs of Breath-taking, Hair-raising, Aerial Sensationalism.
The World Uenowned High Wire Alzanas, with Harold Alzana Who Skips Rope Where Angels Fear to Tread.
Display No. 24 - Spectacular, American, Magnificent Finale. Vibrant with Pageantry, Color, Beauty, Song and Patriotic Thrills. "The Glorious Fourth," with its Proud, Rousing, Heart Clutching Tableau "The Land of the Free and Home of the Brave." Dedicated to All the Free Peoples of the Earth and to Our President.
CHS webmaster J. Griffin, last modified April 2008.