Reply: 27 September, 2006 - The late George Speaight's very readable and accessible book 'A History of The Circus' (Tantivy, London, 1980) deals mostly with the invention and development of circus in Great Britain, with a long chapter on The Circus in Britain in the Nineteenth Century' which is very well illustrated. I know of no diaries of circus workers but one or two performers have written some accounts of their lives. The most interesting, from my point of view, is the autobiography of Jim Frowde the clown. My article 'The Lost Autobiography of James Henry Frowde', in Gloucestershire History (2001) p.21-28 tells the story of its discovery and summarises his life as a Victorian clown, mostly with Hengler's circus. My own work on 'Historical Hengler's Circus', vols. 1-5 (Lingdales Press, Formby, 1989-2001) tells the story of this major Victorian circus up to 1882. It is available in the legal deposit (copyright) libraries. You should visit the www.circusbiograaphy.co.uk website for more pointers for your research into Victorian circuses and their artistes. John Turner.

Reply: 14 November, 2006 - Holly, Do you know anything about circus billboards, vintage ones. I have some they are about 15 feet long by 12 feet tall. They are very colorful and pretty. Can you emagine a room using the bill board like wall paper? If someone loves circus, that would work, but i am trying to find out when bill boards started? Thanks Anita

Reply: 30 September, 2006 - Julie, I'd be really grateful if you would let me know if there is a darkhaired voltige rider named Miss Harietta amongst them. This would then be Harietta van de Velde, sister of Albert van de Velde of the Van de Velde Co and Elly van de Velde, the handstand artiste. I would love to have some pictures of her to complete my research of the family and I believe she was with the Cole Circus around that time. Thanks! Natasha Gerson, nani@xs4all.nl

Reply: 13 Aug 2008 - I am the greatgrandson of the part owner of the Cole Brothers Circus from 1935 to 1940. His name was Jess Adkins. Do your photographs include any pictures of him? Thanks again. James A Cain Jr., jamesacainjr@yahoo.com

Reply: 18 Sep 2008 - I saw your post recently and I am interested in pictures that I may be able find my grandmother in. Her name was Gerry Worth (Farnsworth). She was with Cole Brothers Circus in the the late 30's until it early 40's. Johnny Whiteside was a clown who rescued her after a trapeze fall. Any information you have would be helpful. Teresa A. Shelley, Winston Salem, NC

Reply: 27 Sep 2008 - Do you have any photos of the Cole Brothers Circus which are available, I would be interested in them. Thank you. CFA member Bob Unterreiner, phone number 847 358 5686, Palatine, Ill. Thank you, Bob Unterreiner

Note: This message was edited. Visit the Last Stage to Deadwood website for further information on these and other performers - J. Griffin, webmaster.

Reply: 27 Sep 2008 - Beverly, There is a Justin Loomis with Circus Gatti who is Ringmaster. He might be relative of Mr Loomis. Bob Unterreiner, tel 847 358 5686. Thank you Bob Unterreiner

Reply: 20 September, 2006 - David: I presume somebody told you the Sparks Circus used records for music in 1931 as a cost cutting measure. This is the first instance of which I know of recorded music backing up a circus performance. Fred Pfening III

Reply: 22 September, 2006 - Right you are, Fred. And it lead me to some productive research through back issues of the Billboard, re: how the new music system was received on the road. Although not totally without live musicians, a drummer and calliope player augmented. Thanks for your concern. David.

Reply: 08 Nov 2007 - Do you have this Robert Stevens, owner of the circus, having a daughter Gerry or Geraldine who ended up in Chicago, IL. I have a son looking for her family and according to a son she gave up, she talked about her family being a circus family. Any info would be greatly appreciated. Deane

Reply: 21 Apr 2008 - I dont know who the lady is. I am trying to get info and pictures of Bob Stevens and how he died or any info at all. I am also related to him. I may have some info you could use. E-mail me at this instead of old yahoo address, stve7@aol.com, thanks

A large sized newspaper ad for the same show when they played at Burlington, Vt., on Saturday, August 14, 1875, shows ten large woodcuts of especial interest, in view of the above article. One of them shows the open den in which Conklin rode in the parade; the open den of monster serpents and also two cuts showing an act similar to the one performed by Blacaman just a few seasons ago on the Hagenbeck-Wallace Show (1938). Also illustrated are Tapirs in their native haunts; the “ascension” to the top of the tent by M’lle Christine; the “parisian Steam Calliope”; a monster coiled serpent and a cut showing some seals on ice. The two large cuts in the central section of the ad are the tapirs and also a most interesting picture showing “The Mechanical Wonder - the Only Steam Man, who actually walks and runs alone, the Greatest Invention of Modern Times, and to be seen in the large tent without extra charge.” The ad mentioned is 24" high and 7 columns wide. From Circus Collection of W. W. Tyson, CHS. [Note: for more information on W. W. Cole and his circus career, see William L. Slout, "Chilly Billy, the Evolution of a Cricus Millionaire," San Bernardino, CA: Emeritus Enterprise, 2002.]

Is there any way I could get a copy of the above ad? Is this Dederick's Steam man? Or even more information? PULP9860@aol.com. Respond to this message, replies go to this board, not to the message sender.

Reply: 16 September, 2006 - This is from Circus Historical Society Note Sheets, No. 18, May 15, 1945, p. 1. I don't believe there were any illustrations in the Note Sheets. J. Griffin

Reply: 19 September, 2006 - Just curious to know if there were more than one steam man making the rounds? Have an ad for the Wonderland Theatre in Detroit on December 18, 1892 noting the changes starting December 19. One of the new attractions was the 'Steam Man - A most wonderful piece of mechanism made entirely of iron. It walks like a human being. It lacks only speech'. The illustration makes it look like a knight, but I have no review of the exhibit. John Polacsek

Reply: 20 September, 2006 - The one on Cole was reportedly the property of someone named Alexander McDonald and there are other Clipper references to a Steam Man, and a Steam Woman, during 1884-1886. Those in 1884 are about a Prof. Moore and his steam man "Hercules" and strong man "Leon." Some exchanges with Joe Rainone would suggest that there was indeed more than one. The one associated with Dederick, and which he covers extensively in his book, may not be the same as the device with Cole in 1875. There may be other references in Odell's Annals of the New York Stage and the usual newspaper resources. The Reade character seems to be part of the same inventive science fiction movement that inspired the Wizard of Oz story, which may also have a circus connection. Fred Dahlinger

Reply: 17 September, 2006 - Walter McClain perhaps. Bob Cline

Reply: 17 September, 2006 - Walter McClain comes to mind. He spent some years in charge of elephants with the Sparks Circus and went to the same position with Barnes after Sparks was taken off the road following the 1931 season. When Ringling-Barnum closed early in 1938, a portion of that show (including I believe four elephants) was taken out west to join Barnes-Sells-Floto (the title the Barnes show used in 1937-38). The show was then billed as Barnes-Sells-Floto with Ringling-Barnum Features, played the traditional late-season Ringling-Barnum route and at the end of the tour went into Sarasota quarters. The Barnes show never went out as a separate show again and McClain was given the Ringling-Barnum herd. He was killed there late in 1942 when a wagon coming off the train ran over him. Of course "W Mc" may not be him. Regards, Whitey

Reply: 16 November, 2006 - To Bob Cline, and especially Whitey, who responded to my query about the W.Mc. initials on the elephant hook (message no. 1537). I now have confirmation that the hook indeed belonged to Walter McClain. My father-in-law told me how my wife's uncle (by marriage), Hartman Moritz, ran away from prep school in Virginia in the late thirties and joined a circus. McClain took him under his wing and gave him employment. Hartman knew many great circus luminaries and remained in touch with them until his untimely death from a heart attack in 1954. He received a Christmas card every year from Emmett Kelly among others. I have some original circus posters from the 1940s and a number of photographs sent to him by someone with circus connections of the tragic fire in Hartford, CT in 1944. Thanks again for your help. Hudson Chadwick, doodlesngtwn@telepak.net, Georgetown, Mississippi

Reply: 30 Aug 2007 - Hello Betty, I was happy to see your posting on J.H. LaPearl Circus. My Great Grandfather was a performer in his circus. His name was Wiley Ferris. I located a route book from 1895 whic shows that he was with the J.H. LaPearl Circus at that time. I would be facinated to hear more information on your families history of this circus. Also would you by chance have any further information, posters etc on my great grandfather, Wiley Ferris. Thank you very much. Michael Ferris, Mlf22@verizon.net

Reply: 18 September, 2006 - Alexander Zass, www.sandowplus.co.uk/Competition/Zass/zassintro.htm, www.echo-news.co.uk/echofeatures/memories/display.var.856184.0.russian_strongmans_south_essex_grave.php, www.angelfire.com/ny5/shenandoah/OBB/History.html, www.circusbiography.co.uk. Benjamin Boger, bfboger@gmail.com

Reply: 23 September, 2006 - There have been a number of ‘Great Samsons’ exhibiting over the last two hundred years, ‘Sampsons’ also. Circus Samsons appearing in British circuses, include the following (entries taken from my books):

"Victorian Arena; the Performers," vol.1 (Lingdales Press, Formby, 1995); - SAMSON, Peter. Strongman. Native of St. Petersburg, Russia. World-famed in circuses and on the halls. Noted at Barnum and Bailey's circus, Olympia, London, in 1898. Defeated by Sandow in 1898 (World's Fair, 25/7/1925, p.21, col.1. Carl A. Sampson; ABC of the Show, c1938).

"Twentieth Century Circus People, 1901-1950" (Lingdales Press, Formby, 2003); - SAMSON, Amazing. Strongman. Alexander Zass, born 1883, in Vilna, Poland, one of a family of five, three brothers and two sisters. Lived most of his early years in Russia and served as an officer in the Russian Cossack Cavalry, during the First World War. Taken prisoner in one campaign but escaped and joined Schmidt's circus, in Budapest, under an assumed name. Billed as 'Samson the Strongman'. Travelled all over Europe. Seen by Sir Edward Stoll, who brought him to England. Appeared on the halls, making his British debut at the London Coliseum, lifting a steel girder with his teeth, etc. Claimed to be the world's strongest man, catching steel cannon balls (200lbs) fired 25 feet across the stage, from a cannon. Carried a live cart horse round his neck. Noted at the Grand Theatre, Brighton, in 1930, and with the Royal Italian Circus, in 1932. From 1934 used the name "Zass, the Man of Muscle", rather than Samson, to avoid confusion with imitators. In 1935 was partnered by Miss Lillian LaBram. Noted at the Christmas Circus, King's Hall, Belfast, for the 1935-36 season, billed as the 'Human Bullet'. In 1936 was described as a squat, smiling Russian, 5'42 in height, weighing 11 stone. Could lift a 640 lb girder, with his teeth. Toured Ireland with John Duffy and Sons' Circus, in 1936, with Zass a young lady shot from a cannon. In 1939 was a partner in the Samson-Ritchie Road Show, touring for over a year, performing his strongman act. By 1941 had taken-up animal training, presenting two performing elephants, with the assistance of Marguerite, a troupe of jockey dogs and one of Charlie Judge's chimpanzees, resident at Chessington Zoo. In charge of Goddard's zoo circuses at Frimley, Paignton, advertised as livestock manager and trainer in 1949, 1950 and 1951. In December 1951 was in Newton Abbott Hospital. Retired from the management of Paignton Zoo in 1952, after eleven years there, to his farm at Hockley, Essex. His successor at Paignton was Kenneth Smith. Spent the 1953 season at Gt. Yarmouth Hipodrome circus, with Russell's chimps. In February 1954 he advertised his famous dogs and pony acts, from his farm at Hockley. General manager of Norman Cartlidge's 'California Circus', Wokingham, in 1954, also performing his strongman act, said to be aged 71 years. Appeared at Dr Hunter's last Christmas circus, Belfast, 1959-60, assisted by Jacqueline, with his trained dogs act. Later with Chipperfield's circus, Bingley Hall, Birmingham, 1960-61, "Usually known as the Jolly Family". Died on 26th September1962, aged 75 years, in hospital at Rochford, Essex. Taken ill, suddenly, on the previous day, at his home at Hockley, Essex. Left all his efects, £2,211, to his pre-war assistant Mrs Betty Tilbury nee Jackson. Mr and Mrs Tilbury had looked after his bungallow, in Hockley, when he was away. By no means a giant, less heavy than Sandow, but endowed with great strength (Sources - World's Fair, 17/5/1930, p.25, col.3; ibid, 15/10/1932, p.43, col.1; ibid, 8/10/1932, p.32, col.4 (photo p.30); ibid, 15/10/1932, p.43, col.1; ibid, 28/7/1934, p.45, col.3; 11/5/1935, p.32, col.5; ibid, 15/6/1935, p.32, col.1; ibid, 9/11/1935, p.4, col.4; ibid, 25/4/1936, p.33, col.4; ibid, 2/6/1936, p.10, col.5; ibid, 27/7/1936, p.32, col.1; ibid, 9/1/1937, p.8, col.4; ibid, 8/4/1939, p.29, col.3; ibid, 30/8/1941, p.12, col.3; ibid, 15/11/1941, p.12, col.4; ibid, 2/9/1944, p.12, col.2; ibid, 21/12/1946, p.12, col.3; ibid, 31/12/1949, p.20, col.1; ibid, 6/1/1951, p.19, col.1; ibid, 17/11/1951, p.4, col5; ibid, 15/12/1951, p.17, col.4; ibid, 7/6/1952, p.20, col.6; ibid, 8/11/1952, p.20, col.5; ibid, 27/2/1954, p.24, col.1; ibid, 20/3/1954, p.28, col.6; ibid, 15/5/1954, p.24, col.3; ibid, 10/7/1954, p.24, col.4; ibid, 27/2/1954, p.24, col.1; ibid, 20/6/1953, p.20, col.1; ibid, 26/9/1959, p.22, col.3; ibid, 9/1/1960, p.29, col.1; ibid, 14/4/1962, p.20, col.1; ibid, 29/9/1962, p.5, col.1; ibid, 6/10/1962, p.9, col.2; ibid, 24/11/1962, p.55, col.4; ibid, 12/1/1963, p.46, col.2; London Evening News, 9/4/1962, photos; D. Webster, "Sons of Samson" (Webster, Irvine, 1993), p.70; King Pole, #126, Dec 1999, p.7, col.1).

SAMSON, Scottish. Strongman. William Beatty (real name Beattie), from Blantyre. The "Scottish Apollo", and the "Scottish Strongman", appeared with Sir Robert Fossett's circus, 1948 and 1949, juggling two 56lb weights. With Rosaire's circus, touring in 1950 and 1951, demonstrating strength with weight. He lifted 3 1/2 cwt. and nine men on a board, with his feet, lying on his back. The Apollos, William and his son Sandy Beatty (Young Apollo), were at Rosaire's circus, Bridlington in 1954, exhibiting feats of strength. At Pinder's circus in 1956. With Joe Gandey's circus, Heysham Head, Morcambe, in 1957. His family, including daughter Jean, also appeared as the Four Almadas, balancers, as Victor and Partner, roller balancing, and with Mary Gandey as the Kusicks on the trapeze. In October 1957 the 'Mighty Apollos' advertised, 'unexpectedly vacant', from an address at Blantyre, Glasgow. Joined Mrs C. Pinder's Royal No.1 circus for 1958, performing in Scottish national costume. The 'Mighty Apollos' presented feats of strength and arobatics on Tommy Pinder's New International Circus in 1959, two men and a girl, attired in tartan kilts. Victor 'Zane', noted in 1959 with Winship's circus, hand-balancing, was one of William Beatty's sons. The Three Mighty Apollos, strong act, were with Tommy Pinder's circus, tenting in 1960, attired in kilts. Note that the Scottish Apollo's surname was correctly spelled Beattie (Sources - World's Fair, 2/4/1949, p.13, col.3; ibid, 5/5/1951, p.12, cols.1 & 3; ibid, 30/6/1951, p.13, col.2; ibid, 24/7/1954, p.20, col.4; ibid, 1/6/1957, p.26, col.6; ibid, 13/7/1957, p.30, col.1; ibid, 12/10/1957, p.29, col.6; ibid, 3/5/1958, p.16, col.1; ibid, 28/3/1959, p.13, col.1; ibid, 8/8/1959, p.17, col.3; ibid, 23/4/1960, p.10, col.3; ibid, 14/5/1960, p.16, col.1' David Webster, Sons of Samson, Vol.1, p.17).

SAMSON, Young. Strongman. Born 1906. Real name Clarence Tidswell. Originally a steeplejack but after seeing the Russian Samson, in 1930, decided to train. After much hard work he secured his first engagement with the John Duffy and Sons' circus, in Ireland. In 1928 he achieved his ambition of appearing at the top of the bill. Later toured Ireland with Bailey's U.S.A. Circus, Ireland, and enjoyed a season with Scott and Steckle's circus, Ireland. In 1930 was in South Wales, lifting a piano and its player with his teeth, carrying a horse around the arena and hammering nails through 3" planks with his palms. For fourteen weeks, in 1933, featured with Sandy Powell's road show. Bent iron bars, had a motor car driven over planks on his chest and could lift two men with one arm. Sometimes billed as 'The Hercules of the Fairs'. Young Samson was billed with John Scott's Royal Circus, touring England, attending the fairs, in 1937. After the war, in 1946, Carl Brinn performed as 'Young Samson, The Modern Hercules', sometimes confused with Clarence Tidswell (Sources - World's Fair, 22/11/1930, p.32, col.3; 6/12/1930, p.10, col.3; ibid, 23/12/1933, p.29, col.3; ibid, 18/9/1937, p.8, col.4; ibid, 4/1/1947, p.12, col.6; ibid, 27/10/1962, p.52, col.4).

SAMSON, Young. Strongman. Carl Brinn. Born about 1907. Inspired by Alexander Zass he appeared as 'Young Samson' in the 1920s. With Astley's Stage Circus, c1928. Appeared with several circuses, touring Ireland and Wales, and in the Empire chain of theatres in the 1930s. Performed after the war, in 1946-47, as 'The Modern Hercules'. Advertised in 1949 as 'The Original Young Samson', resident in Bradford (Sources - World's Fair, 4/1/1947, p.12, col.6; ibid, 1/1/1949, p.15, col.6; ibid, 27/10/1962, p.52, col.4; D. Webster, 'Sons of Samson; Profiles'(Webster, Irvine, 1993), p.20). ‘Twentieth Century Circus People, 1951-2000’ (Lingdales Press, Formby, in preparation); - SAMSON and DELILAH. Strong act. Trevor Barnett and partner, in a gladiator-style act. At Billy Smart's circus in 1964. Samson was described as a young, blond strongman when he retured to Britain, in July 1966, from the Wilkie-Boswell circus in South Africa (Sources - World's Fair, 9/1/1965, p.54, col.1; ibid, 16/7/1966, p.50, col.3). SAMSON, Man of Iron. Strongman. Stefan Siathowski. A native of Poland. First noted in February 1952, with Rosaire's stage circus, at Preston. In May 1952 was at Ringland's circus (Big Tom Fossett's), at Hull, lifting a horse, bending iron bars, sheet metal, driving nails through metal sheets with his bare hands, etc. Wore a leopard skin with a white metal-studded belt. Advertised from an address in Blackpool. Still with Ringland's, at Skegness, in the summer of 1952. 2Open for engagements from mid-October 19522. Appeared on Blackpool's 'Golden Mile' in the 1960's. Excelled at bar bending and nail breaking, and according to Webster had a challenge which used an ordinary kitchen chair. At the Waverley Market funfair, 1951-52, where Edinburgh audiences were impressed by his prowess, bending bars, beams, breaking brichs, etc. Booked for a show in Dundee in January 1953 (World's Fair, 1/3/1952, p.6, col.4; ibid, 10/5/1952, p.21, col.3; ibid, 6/9/1952, p.16, col.1; ibid, 5/4/1952, p.16, col.6; ibid, 26/7/1952, p.20, col.6; ibid, 13/9/1952, p.16, col.1; David Webster, 'Sons of Samson', vol.1 (Webster, Irvine, 1993), p.62).

SAMSON, Modern. Strongman. Real name Jean Makovec, a native of France. With John James Duffy's circus, Ireland, 1960. At Chipperfield's circus, Southall, September 1960, with partner Betty, and at the Bingley Hall, Birmingham, 1960-61, billed as 'The Modern Samson'. Bending iron bars and lifting weights, etc. With Billy Smart's circus, Leeds, 1964-65 (Sources - World's fair, 17/9/1960, p.30, col.1; ibid, 7/1/1961, p.1, col.1; ibid, 19/9/1964, p.52, col.1; ibid, 9/1/1965, p.54, col.1). Hope the above bits of information are helpful. If you are interested in any circus artists appearing in British circuses why not visit my website (www.circusbiography.co.uk) and post your query in the ‘Forum’ section? John Turner.

Reply: 24 November, 2006 - Orenburg Charity Foundation "Eurasia" (Russia) is looking for the detailled information about Alexander Zass - the Amazing Samson. The museum exhibition "Alexander Zass - the Russian Samson" was created at 24th of August 2006 in Orenburg. Detailes: www.orenb.org, vip_orenburg@inbox.ru

Reply: 22 Oct 2007 - Yes I think Samson the strongman was my friends great grandfather. I know he had Blackpool and Sheffield in a link somewhere, but if is in the same link as you are looking for please email me. My name is David Lester, paulinewhite4@tiscali.co.uk

Reply: 12 September, 2006 - Lee & Marshall's National Circus was framed in 1852 by H. C. Lee and John Marshall. Jeannette Annereau ( Mrs. Nat Austin) and her husband joined the show in 1855, and were with in 1856, its final season. Other performers of note were J. B. Rochette, George Peoples, James Brewer, and J. L. Hinckley. In 1857 the name was changed to Lee & Bennett. Stuart Thayer.

Reply: 24 Jul 2008 - I think Mad Austin would be Mrs Austin, Nat Austin’s wife. Jeannette Annereau, the daughter, was Mrs HC Lee, not Mrs Nat Austin. Ian Wilkey, iwilkey@bigpond.net.au

Reply: 22 Nov 2008 - Thanks for the info. I have also located the following acts as part of this Circus; Corde volante by FISHER, Tight Rope Dancing Mad. Austin La Perche by Fisher, Globe Perche by Hinckly and Celing Walking by Lenton. Mad Austin climbing up a tight Rope to the highest House in the Town. I am interested in knowing how one walked upside down on the ceiling as shown in the drawings? David

Reply: 15 Oct 2007 - My mother said she performed with The Marx Brothers Circus in the 1940s in Germany. Could this be the same show? I have been looking for information about this show. I see it has been awhile since you posted. Hopefully you will see this. I would like to know if you have any thing new. Sylvia Hernandez DiStasi, Evanston, IL

Reply: 26 September, 2006 - Supplementary to my query re Elizara Swift I have come across an item in the site archive which is "reminiscences of a showman", articles by Louis E Cooke written between 1915/1916. In one article he writes "It will be readily recalled that only a few seasons ago, one of the most beautiful and expert trapeze artists in the Barnum and Bailey show at Madison Square Garden not fully satisfied with her work in the afternoon, induced one of her companions and co-workers to go back for a private rehearsal after the performance was over and, not taking the necessary precaution to have the property men stretch the safety net, she undertook to go through with her stunts, and fell into the arena fifty feet below a broken and lifeless mass". Can anyone put a name to or eliminate this performer from my enquiry. Again any help gratefully received. Bernard Griffin, bernardgriffin@hotmail.co.uk

Reply: 01 September, 2006 - Thanks David! I removed the "stretcher" on Dan Rice from the "Did you know . . ." on the CHS website. Judy Griffin, webmaster.

Reply: 04 September, 2006 - Robert Parkinson's Directory of American Circuses from 1793 to 2000, indicates this show operated only one season in 1950 under this ownership. I do not have any record of this elephant. That doesn't say she didn't exist, I'm just saying I don't have any record of her. I ran through newspaperARCHIVE.com real quick and couldn't find anything out there either about the elephant or the show. You may want to check the local newspapers where they stayed to find anything. If you can find the 1950 Billboards there might be a route posted each week telling where they played. The local newspaper of each town they played might offer you some information. Public Libraries usually can get the Billboard for you through an interlibrary loan. Bob Cline

Reply: 03 October, 2006 - Would this be the Takahashi who worked with my parents in the late 20s and early 30s in Circus Sarrasani? If so, he maried a German woman named Herta. They had one son name Ralph. During WWII Herta lived in Middlesborough, England. Her son was in the army. That's all I remember. fatima

Reply: 03 September, 2006 - Jacko and Little Billy, the Belle Vue clowns, feature in my ‘Dictionary of British Circus Biography’. The entry for Little Billy has been published in my “Twentieth Century Circus People, 1901-1950” (Lingdales Press, Formby, 2003).

JACKO. Trapeze artist, later a famous clown. Robert George John Francis 'Jack' Fossett, born 11th November 1922, at Hull, the son and youngest child of John George Fossett (Comical Jacko, 'Jacko' senior, who died in 1930) and Maria nee Proctor. Brother to Henrietta Margaret, Emmie and Marie Louise, also trapeze artistes. Went to school in Northampton, where he excelled at football and became the Scool Captain. First appeared in Ada Mary Chapman's circus, at the Bingley Hall, Birmingham, with whom the family stayed until 1934. At his uncle Sir Robert Fossett's circus, touring in 1937. Went on to the Tower Circus, Blackpool, and later was back with Chapman's circus, Morcambe Winter Gardens, when the war broke out. During the war he joined the R.A.F. but was soon in Ralph Reader's 'Gang Show', touring England, Malta, Italy and North Africa, entertaining the troops. He developed a talent for slapstick comedy and immediately after the war joined his cousins' Robert Brothers' circus, as clown, remaining with them, on and off, until joining Mills' circus in 1962. His partnership with Little Billy Merchant was long lasting. An excellent carpet clown, with perfect timing. With Lazard Brothers' Wild West circus, touring in 1957. At the Belle Vue circus, Manchester, 1958-59, with his boxing kangaroo. Also worked on television circuses, the Circus World Championships, and at Belle Vue, Manchester. Married Connie Reid, formerly of the Reid Twins, acrobatic dancers, on Friday 4th November 1960, at Oundle Registry Office. They had first met some years earlier, at the Blackpool Tower circus. Back with Robert Brothers' circus, Theatre Royal, Newcastle-upon-Tyne, for 1960-61 and 1961. Billed with Mills' circus, touring in 1962, "previously with Robert Brothers for many years". With Mills at Olympia, 1962-63, working with Jimmy Scott, together again for the first time since the days of G.B. Chapman's circus. Also toured with Mills in 1963 and until the closure of the tenting show the following year. At Olympia, 1964-65. Used his uncle Johnny Proctor's wig! Partnered by Little Billy Merchant for almost three decades, travelling the world together (until Billy's retirement in 1979). One of the clowns at the Belle Vue circus, Manchester, 1967-68. Much appreciated on the continent, working for many years at Cirkus Schumann in Copenhagen (from 1966), and with Cirkus Benneweis there. At the Belle Vue circus, Manchester, every winter from 1968 until 1982. For 1968-69, at Belle Vue, Manchester, he was in the 'Wedding' skit, as the bride, with Little Terry as the groom, and Alby Austin, Will Norman and Noe-Noe bearing the train. In 1983 he did a season in Autralia. Returned to Robert Brothers' Circus for the remaining years of his career. Worked with a kicking mule and boxed with a hard-hitting kangaroo. Performed at the Blackpool Tower circus, in 1990, but was forced to retire, due to a heart condition, at age 68. Lived with his wife Connie in Skegness. Known as 'Uncle Jack'. Presented with the World's Fair's Lifetime Achievement Award, in 2000. Jacko and his sisters Margaret, Louise and Emmie, were awarded the CFA's 'Lifetime Achievemnt Award' in 2003. Died suddenly on 1st June 2004, aged 82. Jacko and Connie had no children. The last of the great British old-fashioned circus clowns, loved by children and his peers. The funeral was held at St. Matthew's church, Skegness on 16th June. Mourners included his sisters Connie Fossett, Margaret (Mrs Claude Yelding), Emily (Mrs John Manders) and Louise (Mrs Frank 'Walker' Breen), and sister-in-law Margaret Read. Probably the last of the traditional British clowns with a wealth of material stored in his head. His clowning was visual, his appearance always immaculate and had the ability to enter the ring, with his inimitable gait, and play to the whole of the tent. A man of great individuality and originality. A funmaker both in and out of the ring (Sources - World's Fair, 12/6/1937, p.41, col.3; ibid, 10/11/1951, p.16, col.3; ibid, 8/12/1951, p.16, col.6; ibid, 22/12/1951, p.16, col.6; ibid, 6/9/1952, p.16, col.6; ibis, 29/11/1952, p.20, col.4; ibid, 7/2/1953, p.24, col.3; ibid, 9/5/1953, p.24, col.3; ibid, 8/6/1957, p.29, col.3; ibid, 12/10/1957, p.28, col.2; ibid, 12/1/1959, p.31, col.1 and col.3, photo; ibid, 13/5/1961, p.20, col.4; ibid, 26/8/1961, p.7, col.2; ibid, 7/4/1962, p.20, col.3; ibid, 14/7/1962, p.10, col.5; ibid, 11/8/1962, p.47, col.1; ibid, 22/12/1962, p.38, col.1; ibid, 5/1/1963, p.48, col.1; ibid, 6/4/1963, p.50, col.3; ibid, 28/12/1963, p.34, col.3; ibid, 11/4/1964, p.52, col.5; ibid, 2/5/1964, p.56, col.4; ibid, 9/1/1965, p.53, col.1; ibid, 5/2/1966, p.50, col.2; ibid, 18/11/1967, p.66, col.4; ibid, 6/1/1968, p.51, col.4; ibid, 21/12/1968, p.46, col.1; ibid, 4/1/1969, p.53, cols.1 & 2; ibid, 17/11/1982, p.50, col.1; ibid, 2/7/2004, p.22, col.1,; ibid, 16/7/2004, p.21, col.1; photo; David Harris, letter of 9/1/2002; Malcolm Clay, 'King Pole', #150 (September 2004), p.11, col.1)

BILLY, Little. Billy Merchant. Midget clown. Born 31st July 1919, at Barton Hill, Bristol. Spent his early years in the city, educated at Downend Homes. As an adult was only 42 inches tall. Joined a troupe on leaving school but during the war was on work of national importance, at Filton aeroplane works. Noted with Tom Arnold's 'Big Top Circus', Glasgow, 1944-45. At the Belle Vue circus, Manchester, 1945-46. After the retirement of Albert Austin, in 1947, became one of the Three Austins', billed as 'Albie, Spider and Billie'. With Chipperfield's circus, in 1948, booked for the Belle Vue circus, Manchester, 1948-49. At Belle Vue for 1949-50. Went, with Alby Austin, to Mills' tenting circus for summer 1950. With Mills, 1950-51, 1951 and 1952, and for 1952-53 as one of the Three Austins. One of the Austins, with Mills, in 1954. Still with Mills, in 1962, at Olympia 1962-63. For thirty years was "Little Billy" the partner of Jacko and Connie Fossett. Also performed on the Continent, with Circus Krone and Circus Schumann, and in Variety. Retired to Skegness, in 1979, living in a retirement home close to Jack and Connie Fossett, visited regularly by friends such as Norman Barrett. Celebrated his 80th birthday in 1999. Winner of the 'CFA Lifetime Achievement Award' in 2000. Died 26th May 2001 at Boston, at the age of 81 years (Sources - World's Fair, 30/12/1944, p.1, col.2; ibid, 29/12/1945, p.1, col.2, photo; ibid, 7/2/1948, p.12, col.5; ibid, 7/1/1950, p.1, col.2 (photo); ibid, 4/2/1950, p.1, col.4; ibid, 18/2/1950, p.1, col.3, photo; ibid, 6/1/1951, p.15, cols.1 & 5; ibid, 29/12/1951, p.6, col.5; ibid, 12/4/1952, p.16, col.4; ibid, 27/12/1952, p.16, col.3; ibid, 3/1/1953, p.18, col.1; ibid, 15/5/1954, p.24, col.3; ibid, 5/10/1957, p.26, col.5; ibid, 26/12/1959, p.19, col.1; ibid, 11/8/1962, p.47, col.1; ibid, 22/12/1962, p.38, col.1; ibid, 13/8/1999, p.13, col.4; D. Jamieson, 'Chipperfield's Circus' (Aardvark, 1997), pp.49, 50; King Pole, #130, Sep 2000, p.5; ibid, #135, Sep 2001, p.16).

If you are interested in other circus artistes appearing in British circuses why not visit my website www.circusbiography.co.uk and post your query on the ‘Forum’ ? John Turner.

Reply: 14 September, 2006 - Reading about Little Billy and Mr. Austin brought back fond memories of Blackpool TowerCircus, Tom Arnold's Circus and Belle Vue. I have to share a horrible joke we played (young kids at the time), Mr. Austin did a short act playing a tune on bottles filled with water. Shows did not work on Sundays. So, on one of those Sundays we thought it would be funny to add water to several of Mr. Austin's bottles. Come showtime Mr. Austin's tune did not sound too good, and Boy! was he mad at whoever messed with his bottles. He never did find out who did that dirty deed. fatima

Reply: 31 August, 2006 - Almost all posters, whether for window use or outdoor posting such as on billboards, are based on the standard "one-sheet flat" of approximately 28" high by 42" wide, thus a half-sheet flat is approximately 21" high by 28" wide. Half and one-sheets of course may be printed in an upright position, making the one-sheet upright 42" high and 28" wide and the half-sheet upright 28" high and 21" wide. A three-sheet is about 84" (7 feet) high and 42" wide and a six-sheet (the only square bill) is 84" by 84" or 7' by 7'. This goes on up to the larger sizes, a 24-sheet being six times 42" wide and four times 28" high. If a one-sheet is split lengthwise you have a "half-sheet panel" of about 14" by 42"; these are almost always uprights though there have been a few "flat panels" used. As far as the half-sheets being more common, they may seem to be more common in collections simply because collectors favor them as they are so much easier to file or store. Especially after one accumulates a few hundred of them! Hope this helps - Ole Whitey

Reply: 07 October, 2006 - When I was on the Big John Strong Circus in the early 1980's, Don Young used to do telemarketing for some southern California dates around Palm Springs, but I have not heard anything about him since then - BJ CM Circus

Reply: 30 August, 2006 - In reference to the email I sent on August 28, the posters we have are for the Lillian Leitzel Circus from 1940. Any information you could provide would be greatly appreciated. Thanks, Jeri Hannula

Reply: 03 September, 2006 - Is the title the Watson Bros. Circus or is it the Mighty Watson Shows? There is a good chance that the title is the same one used by a group of circus fans in the late 1920s for a mythical circus of Bradford, Pennsylvania. The September 1927 White Tops has a photo and story about the 'Bob Hunting Penn. Top' CFA members who held a meeting. They even had circus posters made up with the title the Mighty Watson Shows, and a ticket booth. There is a very good chance that this group of fans from Bradford, Pa are the source of your posters, and that would include the Lilian Leitzel Circus title as well. Ted Bowman Route Collection.

Reply: 06 October, 2006 - I would be intertested in purchasing any material displaying the "Watson" circus identity. D Watson, PO Box 1189, Port Chester NY 10573-8189

Reply: 01 September, 2006 - Look on the circus photo section on the CHS home page. Then go to Shows Six and there will be two letterheads for the Newton Shows. Search the index also. John Polacsek

Reply: 04 September, 2006 - Thank you for all the help. Deann Walker

Reply: 29 August, 2006 - You may be thinking of Eldon Day, who was for years a prominent performer on the flying trapeze. Photos of him have been posted on Buckles Woodcock's blogsite. I last saw Eldon in the 1960s, when he was on the staff of the Ringling show, serving as Timekeeper for the workingmen, prior to the Feld era. Hope this helps. Roger Smith, steelarena314@hotmail.com.

Reply: 09 Nov 2007 - Hi. I saw your posting in the Circus History files. Have you ever come across any mention of Frank Henry Schwarz or Emma Barbara Schwarz. Frank worked with a circus, and he and Emma are supposed to have been married in a circus "show" (married for real) in Miles City, Montana in 1922. Thanks for any info you might have. Jane Parker, jbsparker@hotmail.com

Reply: 03 September, 2006 - William Beatty was known as the 'Scottish Appolo'. He features in my "Twentieth Century Circus People, 1901-1950" (Lingdales Press, Formby, 2003), p.11. The entry reads; - BEATTY, William. Strongman. William Beatty, from Blantyre. The "Scottish Samson", and the "Scottish Strongman", appeared with Sir Robert Fossett's circus, 1948 and 1949, juggling two 56lb weights. With Rosaire's circus, touring in 1950 and 1951, demonstrating strength with weight. He lifted 3 1/2 cwt. and nine men on a board, with his feet, lying on his back. The Apollos, William and his son Sandy Beatty (Young Apollo), were at Rosaire's circus, Bridlington in 1954, exhibiting feats of strength. At Pinder's circus in 1956. With Joe Gandey's circus, Heysham Head, Morcambe, in 1957. His family, including daughter Jean, also appeared as the Four Almadas, balancers, as Victor and Partner, roller balancing, and with Mary Gandey as the Kusicks on the trapeze. In October 1957 the 'Mighty Apollos' advertised, 'unexpectedly vacant', from an address at Blantyre, Glasgow. Joined Mrs C. Pinder's Royal No.1 circus for 1958, performing in Scottish national costume. The 'Mighty Apollos' presented feats of strength and arobatics on Tommy Pinder's New International Circus in 1959, two men and a girl, attired in tartan kilts. Victor 'Zane', noted in 1959 with Winship's circus, hand-balancing, was one of William Beatty's sons. The Three Mighty Apollos, strong act, were with Tommy Pinder's circus, tenting in 1960, attired in kilts (Sources - World's Fair, 2/4/1949, p.13, col.3; ibid, 5/5/1951, p.12, cols.1 & 3; ibid, 30/6/1951, p.13, col.2; ibid, 24/7/1954, p.20, col.4; ibid, 1/6/1957, p.26, col.6; ibid, 13/7/1957, p.30, col.1; ibid, 12/10/1957, p.29, col.6; ibid, 3/5/1958, p.16, col.1; ibid, 28/3/1959, p.13, col.1; ibid, 8/8/1959, p.17, col.3; ibid, 23/4/1960, p.10, col.3; ibid, 14/5/1960, p.16, col.1' David Webster, Sons of Samson, Vol.1, p.17). Thanks for giving me the correct spelling of his suname! Best wishes, John Turner.

Reply: 04 March, 2007 - I came across an old bookwritten by Jack House in 1949 "How To Clean An Elephant" amongst the contents was an article which mentions Willie Beattie of Kirkintilloch 1) How to lift weights. Jack house recalls going to the Dennistown Amateur - Weightlifting club run by Robert Rice of Riddrie who trained Willie Beattie of Kikintilloch, who became the British weightlifting Champion and is now doing a circus act on the stage. I recently sent a copy of the article to my brother in the USA, we were both members of the Ayr Health & Strength Club (1950 -1970) which at that time was run by Tam McKean. My brother sent me this reply; - I vaguely remember Rice and Willie Beattie. I believe Beattie used to do his act on Ayr shore with his sons. They were big on the crucifix (not religion). I think I saw his son do a crucifix with two 56lb weights. A helluva feat, even if he did unlock his arms a bit. As I remember, they weren't big men, probably about 160lbs. I remember your father coming into the club to see Tam about 1959, he tried to buy an old globe barbell but Tam would not part with it, the globe was hollow and they used to add Indian Maize, according to the weight you required. Adam Glass

Reply: 14 Oct 2007 - I was just a lad when the Beattie's father and son Sandy were on our show. I distinctly remember my Uncle Dennis Rosaire emptying an amount of iron filings from an old fashioned barbell because it was heavy for the ring crew to carry in. I wonder if this was the very same barbell that perhaps was eventually purchased from Tam Makean? I remember young Sandy lifting four 56 pound weights above his head with his little finger and how we youngsters tried with just one:) They were true gentlemen, quiet and unnassuming and I am happy that I knew them. David Rosaire.

Reply: 21 Jan 2008 - Hi, my name is Kathleen Beattie. I am the grand daughter, and neice of William Beattie (Mighty Apollo) and his son Sandy. My father was William John Stevenson Beattie, also known as "Victor" as mentioned on this message board. My father and mother were both part of Circus Rosaire, their act was named "Victor and Renee", it was a balancing act. My mum Catherine remembers the Rosaire family well, she told me to mention Ida and Zena Rosaire and that Ida had a dog act in the circus. She also remembers the unfortunate event of Carmen Rosaire falling from the trapeze to her death. If anyone has any questions about the circuses mentioned, my mum recalls a lot from her days with Rosaire's and Winship's, so please feel free to ask. Regards, Kathleen Beattie, Melbourne, Victoria, Australia

Reply: 26 August, 2006 - In a 1952 Billboard article it stated that the Ringling show would move on one 35 car train to NYC and Boston before opening under canvas. This 35 car train would have the elephant cars, the performing and menagerie lead stock, the flats would have carried all the equipment used under the big Top such as ring curb, aerial rigging, lights, etc. and the performing animal cages, menagerie cages, and the rest would have been coaches for the performers and workers. True, many of the upper management and star performers enjoyed the luxury of a hotel during these long stays. When they were ready to open under canvas, the remainder of the train, animals, tents, seating, Generators, etc would join the show and the trains would again be divided into sections as they travelled across America. Bob Cline

Reply: 27 August, 2006 - Bob: Thank you for the info. I knew the big top and other key elements remained in winter quarters until the start of the tented season. Reading about the 1955 season I found out about the passing of George Blood in Boston and that prompted my questions. Best, Craig

Reply: 28 August, 2006 - Mr. Cline is correct in what he said about the trains while we were in Boston. When the show opened in NY, we all stayed in a hotel. We stayed in the Belvedere Hotel next to the Garden on 8th Ave. and most of the single male performers stayed at, I believe, the Jefferson or Madison Hotel a couple of blocks up from the Garden. In Boston they brought the train right behind Boston Garden and we would walk the short trek to the train. I do remember Unus stayed in a hotel in Boston, as did a few other top performers. Erny Karoly

Reply: 02 September, 2006 - Hello Erny: It is difficult to believe it has been 50 years since Big Bertha folded her tents. You were there in your youth. WOW! I am sure you have read my posts and know my history with THE BIG ONE! Thank heavens for the movie The Greatest Show On Earth! I know you were young back then...yet it must have been a real thrill to have been part of circus history. Best, Craig

Reply: 29 August, 2006 - The March-April 1948 issue of the White Tops referenced the College for Seals - PARADE Magazine (Sunday Supplement) for 14 March 1948, pix and story on Harold W. Winston of 1000 Oaks, California and his training of seals. You should be able to find any big city newspaper on microfilm and check it out. Also the May-June 1948 White Tops had a note about the Yankee-Patterson Equipment in Southern California. The Yankee Patterson Big Top, front door, concessions, trucks and generator were in use on an Industrial Show managed by Jimmy Wood and they were on the lot in the Los Angeles area. The big top housed the booths and the auto exhibits. On the midway there were rides and shows. The show had thirty weeks booked, and several ex-Barnes show people were on the staff, not much but the only reference there is. I find no reference to a 1949 circus operated by Jimmy Woods, the last ones were in 1945 and 1947. John Polacsek

Reply: 21 September, 2006 - I have found that Captian Harold Winston was involved with Marineland of Ca from aprox 1954 to the 1960's, As mentioned on the Marineland Historical website. I am still looking for info on; Harry Ritley, Eleanor Velarde, Art LaRue, Ted Dewayne and his troop, The Kenneth Waite Troop (clowns) and an Elephant act with Babe and Willey Yankee Patterson Big Top 1949, for my research project on Bozo the Clowns History. John Polacsek please let me know if you can help me with copies of the research you have offered on this wonderful site for my project I will give you full credit for your help. Thank you looking forward to your reply. Tom Holbrook, bozo_history@yahoo.com

Reply: 21 August, 2006 - Zeiger United Shows was a carnival, probably motorized. Joe McKennon's "Pictorial History of the American Carnival" lists it as operating 1923-1924. Another listing is C. F. Zeiger 1923-1947. He was likely the principal in the operation.
      The best source of general information on the Zeiger operation will be the weekly issues of "Billboard," the trade publication that carried carnival news. You might find news clips in it, also the location of the Zeiger winter quarters. Given the time frame and the connection with a Ferris wheel, it's likely that there may be some mention of your grandfather [if he was the owner, not just the operator] in the Eli Bridge Company's house publication, "Big Eli News." It superseded "The Optimist." The firm is in Jacksonville, Illinois. You might have to journey there to examine their holdings. Unfortunately, a number of years they disposed of all of their older business records.
      Some genealogical type searching might also locate the Zeiger base of operations. Perhaps there's a local library or historical society that has information, or perhaps descendants live in the area that have documentation. A quick Google search for "C. F. Geiger" yielded a 1935 photograph showing their Ferris wheel in the midst of a flood. It has all the hallmarks of being a Big Eli wheel.
      The only other item that I recall in relation to Zeiger is a picture of an air calliope, a National or a Tangley, mounted in a trailer or truck with the C. F. Zeiger name on it. Fred Dahlinger

Reply: 22 August, 2006 - I don't know much about the C.F Zeiger United Shows it self, My father-in-law Dime Wilson, he clowned in a dog & pony show he & his father operated there in '38-'39- and 6 weeks in'40. It was while on that show that Dime one first place in the Clown Division, (Carnival), in the Billboard's Favorite Outdoor Performer Contest. He was also 8th place in the Universal Title, the nearest clown behind him was in 25th place. Mable Stark who won the Wiid Animal Division, & 2nd in Universal was also on Zeiger that year. Bill Strong

Reply: 01 February, 2007 - My Dad Kenny Stevenson (from Elma, IA) and Bobby Jerred ran away from home by hopping on a train out of Leroy, MN in 1937. They were 12 years old. They worked the summer in Montana at CF Zeiger United Show for $8 a week. Dad slept outside. They (the circus) took out the cost of food and if they had $ coming to them after room and board they were paid in silver dollars. Usually amounted to $2.00. First he started with going around the outside fence to keep people from sneaking in. Then he worked with putting the ferris wheel together up high to put the pins in. He said it was of course very high and hard work. Dad ran the ferris wheel last. When he and Bobby left the circus they took all the cigarettes they could. He said they had lots of good smoking. Dad said cigarettes were 5 cents per pack. If you have anymore information on the circus, I would love to share it with my dad and Bobby. They are both 81 years old. Thanks! Nancy Benson, New Hampton, IA, nag@mchsi.com

Reply: 05 March, 2007 - I have a letter at the moment written by C. F. Zeiger to Sam Houston, independent showman. The letterhead is C. F. Zeiger United Shows, Inc. The West's Best Carnival. It shows Box 396, Boise, Idaho as its base. Los Angeles, CA is typed under it as his present location. The letter was dated Jan. 11, 1939. Lynne Bell

Reply: 21 August, 2006 - Emmett Kelly was born Dec. 9, 1898 in Sedan,Kansas. Emmett Kelly was on many circuses in his lifetime. He started in the business back in the late teens to early 1920's as an aerialist on the Howe's Great London Circus. He did a trapeze routine and was a gifted cartoonist. My Uncle was on a couple of the same shows with him over the years starting in 1922 on the John Robinson show. Doing his trapeze act, he also doubled as a white faced clown. Eventually in 1933, he switched to a tramp figure clown and developed the Weary Willie character he was renowned for. Many a season were spent on the Ringling Bros. and Barnum & Bailey Circus. He was one of the performers in the 1951 Cecil B. DeMille classic, The Greatest Show on Earth. He later went on to make one movie named the Clown and the Kids. He was the mascot to the Brooklyn Dodgers, did TV shows, variety specials and such, but his heart was always in the circus. Emmett died in Sarasota, FL. on March 28, 1979. The Historic Opera House in Sedan, Kansas is now the Emmett Kelly Museum celebrating it's 40th year in 2007. Eventually a son, Emmett Kelly Jr. used the same clown make-up and same routines as his father and owned his own circus for a while. He was smart enough to get into mass marketing of the Emmett Kelly character and had numerous porcelian pieces made as fine collectibles in stores all over. A grandson I believe, named Joey Kelly followed suit with the same make-up and routines. Bob Cline

Reply: 04 September, 2006 - Emmett Kelly senior visited Britain, before and after the war. My book "Twentieth Century Circus People, 1901-1950" (Lingdales, Formby, 2003) contains the following entry; - KELLY, Emmett. Clown. An American, born in 1898 at Sedan, Kansas, the son of Irish parents. Named after the Irish patriot Robert Emmett. Moved to Kansas City in 1917. Appeared as a white-face clown in 1924, on the John Robinson show, and developed his skills on the trapeze. Became a famous 'hobo' tramp clown in 1933, "Weary Willie", unlike any other clown. Used few props and always worked alone. 'Spotted' in the USA by Bernard Mills, on the Cole Brothers show, a sad mime clown working among the audience. Appeared at Bertram Mills' Olympia circus, London, for the 1937-38 season, on tour in 1938, back at Olympia for 1938-39. Returned to the U.S.A. in 1939. After the war, he re-appeared with the Bertram Mills circus, at Olympia, 1946-47 season, "his facial expression changeless, wandering among the audience". In 1947 he became engaged to Miss June Clarke but the marriage was indefinitely postponed shortly afterwards. With his tattered clothes and tearful expression he was a delightful and unique entertainer. He could make a mirth-provoking act by battling with a recalcitrant spotlight, aided by his whisk broom. With Ringling, Barnum and Bailey's, USA, in 1949. Died 28th March 1979, aged 80 years, from a heart attack, at Sarasota, Florida. Succeeded by his son Emmett Kelly, junior. His autobiography "Clown", was published in 1954 (Sources - World's Fair, 18/12/1937. p.28, col.1; ibid, 1/1/1938, p.34, col.1; ibid, 15/1/1938, p.32, col.2; ibid, 5/2/1938, p.1, col.3; ibid, 23/4/1938, p.37, col.1; ibid, 30/12/1946, p.14, col.2; ibid, 11/1/1947, p.17, col.4; ibid, 18/1/1947, p.12, col.3; ibid, 21/5/1949, p.12, col.3; ibid, 14/4/1979, p.12, col.1; Call Boy, vol.2, no.2, 1979; D. Newton, "Clowns"(Harrap, London, 1958), p.109-114; J.H. Towson, "Clowns"(Hawthorn, New York, 1976), p.294-299; King Pole, #40, p.3 (1978). If you are interested in circus artists who visited England, why not visit my website and say hello in my 'Guest Book', www.circusbiography.co.uk Thanks, John Turner

Reply: 19 August, 2006 - I will resend this message as I did not put all the necessary information in my previous one. I am trying to find any information/photos etc of the above trapeze act in particular one member by the name of Walter Eugene Jones, who resided in Stockwell Road Brixton. I know he performed at a Royal Command Performance I think around 1924 and another venue where he (or they) performed was at the 1924 Danbury (Sanbury) Fair. My email address is judymills@pigpond.com.au, Any information on this artist would be greatly appreciated. Regards, Judy Mills