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Message Archive: Messages 3251 - 3300



3300. Brewster, NY, 19 Mar 2010 - Looking for information regarding a barn in Brewster, NY housing Van Amburgh &/or James Bailey animals in late 18th early 19th century. Thank you, Grace Zimmermann. Reply to this message, replies go to this board, not to the message sender.

    Reply: 22 Mar 2010 - The Putnam and Westchester County, New York area once had a reputation as being the "cradle" of the American circus. It has some merit if you truncate the start from 1793 to 1825, when Joshua Purdy Brown and his partner implemented the use of the tent, so that troupes were mobile six days per week. The Howes family and others resided in the Brewster area, all of whom played roles in the development of the early tent circus in America.
        The dates that you provide are likely too early to be accurate. The circus was introduced to the US in 1793, but it remained an amphitheater and theater-based enterprise until 1825. There was no need for a "winter quarters" until there was a tent and other apparatus to store and prepare for the next tour. Traveling menageries started to tour shortly after 1810, though there were single and paired wild animals being toured itinerantly in the 18th century. Wild animals were infrequently aligned with circuses up to the 1830s, with the menagerie becoming an adjunct of the ring shows thereafter. The menagerie business is best known for the Zoological Institute, an organization that came apart following the panic in 1837.
        The best approach to learn about the Brewster barn is to research the records of the land upon which the barn is erected. Check with the county offices, or perhaps the current owner has a deed or abstract that provides the desired information. That will indicate who owned the property, and when, and thereby you'll eventually learn, by other research, if they were a showman/showmen in their own right. You can also check county records for leases, examine plat and insurance maps, etc. There may even be a record as to when improvements were made on the property, i. e., a barn. Local newspapers sometimes published notice of building permits. You can check documents preserved at the Somers Historical Society.
        A look through Stuart Thayer's book "Annals of the American Circus 1793-1860" provides the best overview for the era. You can also do a key-word search through William L. Slout's "Olympians of the Sawdust Circle," which is on this website, for Brewster references.
        Though Isaac A. Van Amburgh was a very famous animal presenter, with a widely-known name that remained in use nearly sixty years after his death, he never owned an interest in any troupes that bore his name. They were all owned by other showmen. Any lease, contract, etc., involving the barn will be signed by others, not Van Amburgh. You'll find a brief biography of Van Amburgh in Slout's volume.
        James A. Bailey's career started in 1866, but he didn't become an owner until 1873. His interests were elsewhere, other than in Putnam County. I would suggest that it was perhaps a different man named Bailey involved with the structure of interest to you. Slout's book will provide the names of some of the other Baileys who were in the business in the first half of the 19th century. Fred Dahlinger

    Reply: 22 May 2010 - Several barns in the Somers/Brewster area lay claim to housing show animals: the large (and now altered) barn on the Crane estate just outside of Somers, for example. In Brewster, the Howes Great London show wintered on Starr Hill road in the very early 1870s. Some years ago a parade wagon remnant was discovered there. The Seth Howes estate in Brewster has some outbuildings but I doubt that they were used to store a show; two wagon statues (now at the Ringling Museum in Sarasota) were found there, however. – Dick Flint, Baltimore

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3299. Schumann circus, 18 Mar 2010 - Do you have any record of the Schumann (not sure if 1 n or 2) circus originating in Europe? My father's family Albert, Clara, Uncle Adolph, etc. were all in. They did a high wire act. Thank you. Sincerely, linda y. Reply to this message, replies go to this board, not to the message sender.

    Reply: 09 Apr 2010 - Schumann is with two n’s. The family originates from Germany but is most well-known for the circus they run in Denmark (with visits to Sweden and Norway). The German circus owner Gotthold Schumann (1825-1898) visited Copenhagen first time in 1871. Circus Schumann Bros. was founded in 1914 by Gotthold Schumanns three grandsons: Willy (1880-1936), Ernst (1884-1960) and Oscar (1886-1954). They took their show into the Copenhagen Circus Building for the 1916-season. They were back in 1918 and used the building every summer season until 1937. From 1943 to 1969 circus Schumann was back in the Copenhagen Circus Building. From 1954 The circus belonged to the brothers Albert (1915-2001) and Max (1916-2004). Albert was married to Pauline Rivel (daughter of the famed clown Charlie Rivel). Albert, Pauline and Max were excellent horse trainers. Albert and Max presented liberty acts and Pauline rode high school and "Schumannship" became synonymous with horse acts being second to none. From 1977-1982 to Max Schumann travelled with his own circus called M. Schumann assisted by his children Katja (born 1949) and Philip (born 1953). After the circus closed Katja Schumann went to America where she married Poul Binder of New Yorks circus Big Apple. Max Schumann joined her in 1992 at Big Apple Circus. Katja, Max and Katja's two children Katherine Schumann Binder and Max Schumann Binder were members of the Big Apple company until spring 2004. I have no info on a US Circus Schumann or of the Schumann’s doing a high wire act. Ole Simonsen, www.circus-dk.dk

    Reply: 28 Aug 2010 - Many Schumann images on www.circusmuseum.nl/eng. Herman Voogd.

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3298. Circus Henry & Luigi Talotta, 16 Mar 2010 - I´m seeking for information about Circus Henry, a 3-ring circus owned by Heinrich Koschke in the late 1800 to 1914. His winter quartier had been in Wels/ Austria. He was married with Hermine Schauter and had 3 daughters Melanie, Henriette and Hortensia all very good riders, Koschke gave a one-ring circus to Henriette when she married the Italien jockey Luigi Talotta. They had a son named Enrico, born in 1910 who became artis too. Is there any information about them? Thank you! Romina Talotta. E-Mail: romina.talotta@gmail.com. Reply to this message, replies go to this board, not to the message sender.

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3297. Painter, circus program, 16 Mar 2010 - Joseph E. ("Joe") Richards was a painter who did an illustration (oil on canvas) which was adapted to a circus program in NYC in the early 1960's. If anyone can help identify this particular circus and/or the program it would be much appreciated. The image is of a painted dancer riding an elephant with faces of the crowd visible against a dark background of the audience. Thanks much. Howard Margulis, New York, New York, hlmhk@hotmail.com. Reply to this message, replies go to this board, not to the message sender.

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3296. Hugo Baptiste, giant, 15 Mar 2010 - Dear Circus History Message Board Members, We came across your website and wondering if you could help us in our research. We are an Italian film production company and we are planning a documentary on the life of Mr. Hugo Baptiste, also known as the "Giant Hugo", who died of diphteria in New York, 1916 and was then buried at Greenwood.
    Hugo was one of the tallest living men at that time and was born in Italy in a small village in the Alps, then emigrated to France and changed his name from Ugo Battista to Hugo Baptiste. He worked in France and Switzerland as a circus sensation, his manager was Oscar Marechal. He had a brother who was nearly the same height, who died in Paris in 1914. In 1916 Baptiste went to New York and worked with the Barnum and Baileys, but he died soon after his arrive. In our documentary, we will talk about his life from birth to death. As the documentary is still in pre-production, we can't provide more detailed informations about the project.
    We hope you can help us to clear an obscure point in his life that we can't still understand well. It is known that the Giant worked with the Barnum and Baileys in 1916, but some sources may indicate that he could have been in the US and worked at Dreamland at least one time before 1916 (as we read in a 1903 NYT article) but we don't have any proof of that except for this article (in which the giant is called "H. Camille Hugo", when his real name was Baptiste Hugo).
    Any kind of information we could obtain from you or people you know regarding Mr. Hugo could be of crucial relevance for the purpose of our work, or at least could direct our researches in the right direction. We will be happy to credit your names in our film and send you a free copy of it as soon as it is ready. thank you. paolo. Reply to this message, replies go to this board, not to the message sender.

    Reply: 23 Mar 2010 - Hugo did indeed come to the U.S. in 1903 to appear with the Barnum & Bailey circus. See this photo at my website http://www.quasi-modo.net/Barnum_Bailey_1903. I can be reached at zenheard at yahoo dot com for more info. Tom H.

    Reply: 27 Apr 2010 - If you click on the History tab on the left side of the main page, go to the Circus Scrapbook for July 1931 there is a story about the sideshow manager who set up the marriage. The midget was Joe F. Short, and at the same time there was a Joe Short who was hired by Charles Ringling for the circus as a clown. He later worked for Bob-Lo Island on the Detroit River as Captain Bob-Lo the amusement parks special representative. JFP

    Reply: 31 Jan 2011 - Baptiste HUGO was travel in Algeria too. See http://1planflou.free.fr/wiki/spip.php?article146. Eric.

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3295. Elephant Jesse, 15 Mar 2010 - I have been trying to find out a way to visit my old elephant "Jesse" but no one will respond to me. Why? I just want to see her if possible or at least know her status. I know where she is supposed to be but not how to get to see her. If you read this Bob Cline or Buckles, please help if you can! Betty Olive, olive.betty@gmail.com. Reply to this message, replies go to this board, not to the message sender.

    Reply: 17 Mar 2010 - Hello Betty, You should contact the Carden International Circus. They have a website at www.georgecardencircus.com/ Bob Cline

    Reply: 25 Mar 2010 - Bob, Thanks for the E-mail address. Hope I can get a reply from them! I am going to be in Hot Springs Ar. in a few weeks and was told that she might be in Missouri somewhere. Betty

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3294. Perry & Eroni Bros Circus, 14 Mar 2010 - I would like to inquire about the Perry & Eroni Bros Circus in Australia. Mostly my query is about Mick Perry who is the brother of George Perry. Mick was a very good trumpet player and was a Senior Vice-President of the A.S Guild - probably in the 1950s/1960s, I'm not real sure of the dates. Mick was married to Paulette (my great aunt). I really just want to add some information about Mick to the family tree. Hope someone is able to guide me where I could possibly find out the info. Thanks Kerri, Brisbane, Austalia. Reply to this message, replies go to this board, not to the message sender.

    Reply: 06 Aug 2010 - Re Mick Perry. Our family in Rockhampton were very good friends to Mick and Paula when they passed thru Rocky during the Shows in the 50/60s and then when Mick was working for Sole Bros Circus for Jean and Joe Perry. I may be able to add some info for you about Mick and Paula. Gary

    Reply: 27 May 2011 - Hi Kerrie, my name is Donna Perry, George Perry was my grandfather, I have very fond memories of uncle Mickey and aunty Paula, I spend a lot of time with them and very often travelled with them doing the show circuit, I also was with Sole Bros Circus amongst other things I did a single trapeze and sometimes a double with Kitty Gill, in those days it was mostly family, Cliff Perry was my father. I used to watch aunty Paula doing her dance of the Seven Veils, The Fan Dance and also the Snake dance, it was pretty risky stuff in those days, we used to drive around in her Porshe convertible and I remembered she only ever had honey in her tea, we used to spend time at Dick Bills property at Templestowe, Victoria, however, most of the time we used to camp in MacKenzie Street, Melbourne ( just behind the old Russell Street, Police Station) where most of the showmen camped including Chief Little Wolf and his family. Hope you get to see this message after such a long time, and if you do maybe we could get in touch. I am living in Melbourne. Cheers, Donna

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3293. Circuses and Showboats, 11 Mar 2010 - I know that some circuses traveled in the form of a showboat, but I want to know how common was that. And does anybody know of any of the names of these circuses? Katie. Reply to this message, replies go to this board, not to the message sender.

    Reply: 12 Mar 2010 - John Polacsek has extensively researched the topic of circuses moving by water and will hopefully provide more details, but here's some quick information. "Circus boat" is encountered in the literature and it can mean different things. So does the phrase "boat show."
        Quite a few circuses made jumps between river communities by steamboat, and some toured the greater part or an entire tour by river. These were overland shows, normally moving by horse and wagon, and using a tent. To move by steamboat, they eliminated most of the wagons and horses and carried the tent and apparatus on the vessel, erecting the show adjacent to the river landing. Yet, there are other instances when an overland show boarded a vessel and then unloaded from it.
        These moves were popular when the steamboat trade declined in the face of competition from railroads, and vessel owners sought out other purposeful means to keep or make their craft profitable investments. Circus men who utilized steamboats included Dan Castello, John Robinson, Dan Rice, C. W. Noyes, Edward Backenstose and many more. It was also incumbent upon the circus men to figure out how to "route" their circus along the rivers, knowing where to land and when during the season. Until the river navigation was controlled with a series of locks and dams, some sections were not navigable year-round.
        A few steamboats were apparently modified [presumably cabin space replaced by a large box] so that they could house "performances" of one type or another on board. The "James Raymond" was one such craft. The ability to house and present an actual circus on a self-powered vessel seems limited; most presentations, I suspect, were on a stage and not in a ring, and were largely constituted of human performers.
        One must be careful to distinguish between a circus [staged in a ring, with human and animal performers] and vaudeville programs that were a common staple of floating theaters. "Circus" acts shifted between circus, vaudeville, theater and other venues, but to be a circus one needs the essential ring and the combination of humans and animals working together on the same bill.
        The number of bonafide circuses utilizing an actual floating theater [people in the business didn't use "showboat"--credit that to Edna Ferber's popular novel] is very minimal. Spalding & Rogers exemplifies the genre with their 1850s "Floating Palace," towed [meaning pushed] by one steamboat and augmented with others in their "Circus Fleet." Much has been written about it, from tertiary articles to a Ph. D. dissertation. There's an engraving, a couple posters, even a poor photograph of the vessel. S&R were innovators, using three different forms of travel at various times [overland, river, railroad].
        A couple outfits hired steamboats and loaded the show onto barges and moved from landing to landing to make water-borne appearances. That's the case with the 1881-1882 Cole's New Southern Circus, the 1903 Great American Water Circus, the 1915 Rice & Dore carnival, and Rice & Emerson in 1924, the latter two of which may have had a circus as a "back end" show. There may have been others.
        Robert Stickney, Jr. proposed to do a "southern boat show" in 1901, but whether he actually accomplished the task I'm not sure. If he simply proposed to travel by steamboat, or use a theater on a barge wasn't stated.
        Philip Graham's book, unfortunately titled "Showboats," is a readily available resource. His vessel listing includes something called "United States Aid," described as a circus boat of the 1850s. It's characterized as seating 500 and plying the Ohio River; but I think further confirmation is in order to discern the nature of this operation. The same is true of his entry for "Dan Rice's Floating Opera," reportedly built at Cairo, IL in 1886 and having a capacity of 440. Further investigation is mandated before accepting it as a bonafide entry.
        There are large collections on the floating theater topic [Kent State University, Ohio Historical Society, Tulane University; Graham's holdings are not yet in the public domain, as far as I know], small collections in numerous places, plus all of the material now on line, etc. Most of the collections and the writings focus on the non-circus floating theaters, understandably so since theater and stage activity dominated their existence. Fred Dahlinger

    Reply: 27 Mar 2010 - Fred, Thank you very much for the information. Your response was very well thought out and extremely informative. Thanks again. Katie

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3292. Kelly Morris Circus, 08 Mar 2010 - Trying to find info on the Kelly Morris Circus, how much tickets are and where they are now, any help will be appreciated. laters. Reply to this message, replies go to this board, not to the message sender.

    Reply: 14 Mar 2010 - I believe you are looking for the Kelly-Miller Circus. They opened in Texas a couple weeks ago now. The Kelly-Morris Circus has been out of operation for many years. Look on the internet. The Kelly-Miller Circus has a website at www.kellymillercircus.com. Bob Cline

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3291. Elephant photos, 07 Mar 2010 - Looking for pictures of circus elephants marching from train station in Youngstown, Ohio to Meridian road to set up tents; probably in the 1950's? Bob. Reply to this message, replies go to this board, not to the message sender.

    Reply: 09 Mar 2010 - The obvious course of action is to contact or visit the local city and county public libraries and historical societies. Another possibility is the photo morgue of the local Youngstown newspaper; the circus rituals provided good story material and unusual visual coverage in Baby Boomer America. Casting a broader net, you might try historical societies that cover your area of Ohio as well as the Ohio Historical Society in Columbus. You might also check old CHS, CFA and CMB rosters for members in the Youngstown area; perhaps they and/or their collections survive? The RBBB routes are available on this website at: www.circushistory.org/Routes/Ringling50.htm The show played Youngstown in 1950, 1951, 1952, 1954, 1955 and 1956. Knowing the dates, you can also check the local newspapers of the time for photo and descriptive coverage. Fred Dahlinger

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3290. RBBB friend, 06 Mar 2010 - Hey I have a friend who use to work canvas and is 92 still alive and looking for anyone alive who worked Ringling Bros and Barnum & Bailey Combined Circus. He has the original Route Book for the employees from 1939 when he was 20 and worked along a guy called Red. 772-359-2597 call any info he has told some awesome stories about back then! Reply to this message, replies go to this board, not to the message sender.

    Reply: 10 Mar 2010 - I am looking for informatiom on my mother who did pass away in 1999 with the secret of being a performer in the circus during the 1940s. I discovered this information when settling her estate. I also discovered I was adopted by her second husband. Her first husband was a "roust-about?" named J. Churchill. My mother's name was Dolores Mae Adams, then Dolores Churchill and then Dolores M. Estes. I found a picture in Life Magazine of her and other aerialists with one of the elephants they used in their act. She was 19 in 1941; and supposely she had joined the circus when she was 14. Any information would be greatly appreciated. I know that she got a divorce in Polk County and moved to New Orleans, LA. and had me in 1953. Thank you! PS I found this site when I was looking up exhibits at Ringling Art Museum and got fascinated by your site. Stephanie Modling

    Reply: 11 Mar 2010 - Stephanie, if your mother was with RBBB starting in 1938 or later, through 1956, her employment card, detailing her birth date, home address, next of kin, job position, dates of employment and rate of compensation, is in the RBBB business records filed in the Circus World Museum library. You can purchase a photocopy. Joseph T. Bradbury published a series of articles in the Circus Fans Association journal White Tops that detailed each season from 1932 to 1956. These are probably available for purchase as back copies from the organization. They would provide further understanding of your mother's employment and life with the circus. You might also find Connie Clausen's book of interest. It's the memoir of a show girl with RBBB. Fred Dahlinger

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3289. Robert Fuller Houston, 06 Mar 2010 - Hi. My name is Steve Peters and I live in St. Thomas, Ontario. I collect JUMBO stuff. Looking to contact Robert Fuller Houston. Phone or Email appreciated. Thank You. Reply to this message, replies go to this board, not to the message sender.

    Reply: 08 Mar 2010 - If you'll give me your contact info, I'll pass it on to Rob. He doesn't have email that I know of. Bob Cline ( 5Tigeract@gmail.com )

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3288. W. D. Broadfoot, Charles Testard, 03 Mar 2010 - I am researching W D BROADFOOT who was assistant stage manager for Andrew Ducrow at Astley’s Amphitheatre in the 1830s and early ‘40s then stage manager and later manager at Astley’s for Batty. Subsequently he became Pablo Fanque’s equestrian manager until his death in 1852. I am also trying to trace CHARLES TESTARD, the equestrian manager, who married CLARA BROADFOOT on Jan 1867. Fiz. Reply to this message, replies go to this board, not to the message sender.

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3287. Buffalo Ranch Real Wild West, 02 Mar 2010 - I inherited a picture of Buffalo Ranch Real Wild West. The print on the bottom says: Milwaukee Riverside Printing Co. Chicago 3319. I've been researching and researching this print that has Indians dancing around fire, Indians on horses and camels at the top! It looks like a show poster! The closest I've gotten to any info is on your website. Can you be of any further help to me? It would be sincerely appreciated. Thank you, Rosalind Howell. Reply to this message, replies go to this board, not to the message sender.

    Reply: 05 Mar 2010 - The Riverside/Buffalo Ranch lithos date from the Jones Bros/Thomas Wiedemann (Kit Carson) “Buffalo Ranch Wild West Show” (1910-14). There are two Riverside posters that are often seen in collections today: "Real Indian Dances” (which is the one that you have) and “Cowboys, Cowgirls, Indians, Mexicans”. As far as I have been able to determine, originals of these two posters are only found as a one-sheet “panel” (54”x20”) – itself a relatively unusual, yet standard, size. Both of these two Buffalo Ranch images have been reproduced in recent years, Check the dimensions and you will know whether your poster is an original from the early part of the 20th Century or a more recent reproduction. This poster is a great example of the lithographers skill – and original or not, the image provides a glimpse into entertainment advertising in the early part of the 20th Century. Chris Berry email: circusposters@gmail.com

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3286. Bracelets, 02 Mar 2010 - I purchased a set of colorful paper bracelets on Ebay that I was told were used as "proof" of ticket purchase (for children I believe). They have pictures of animals and flowers on them and have a snap closure. I would like to know what era these were utilized in, if any, and any other information you could supply. Thank you in advance for your help! Jennifer Harvey, Cedar Park, TX. Reply to this message, replies go to this board, not to the message sender.

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3285. Joe Fleming, modeler, 01 Mar 2010 - I am seeking any available information about Joe Fleming, who apparently lived in Trenton, Nebraska. I have been in long possession of one of his Circus Train Models, "Sparks and Wallace", and am interested in learning more about Joe and his models. Thanks in advance for any info. Jeff Forrest. Reply to this message, replies go to this board, not to the message sender.

    Reply: 22 Mar 2010 - Joe Fleming was a lifelong circus fan, collector, model builder, etc. To say he was passionate about the circus in all of its ramifications would be an understatement. He was born October 7, 1908 and died March 26, 1995. An obituary was published in "White Tops," Sept.-Oct. 1995, page 52. He was survived by his wife of many years, Thelma. He photographed many circuses starting in the 1920s. In later years he enjoyed taping show performances and collecting baseball type hats, of which he owned thousands. Fred Dahlinger

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3284. Florence Weipert, tight rope, 01 Mar 2010 - Over the years there has been mention in my family about my grandmother once was a tight rope walker with a circus - I have nothing to document this. Here is what I have - she was born in 1894 in Jamestown, ND, ended up in Iowa and Wisc. She was married in 1913, so, if she was with the circus, it would have been before 1913. Her name was Florence M. Weipert. If anyone has any leads on a circus of that time period and area, I would greatly appreciate a reply. Thank you, Shirley, shirbusa@netscape.net. Reply to this message, replies go to this board, not to the message sender.

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3283. Civil War, 27 Feb 2010 - How did the circus fare during the Civil War? Marjoie. Reply to this message, replies go to this board, not to the message sender.

    Reply: 03 Mar 2010 - The broadest survey of the American circus during the Civil War is William L. Slout's book "Clowns and Cannons, The American Circus During the Civil War" (1997). On page xi, Bill wrote "If the 1860s was a decade of transition, it was also a period of survival." He also wrote "After the declaration of war, the South was closed to traveling amusements." These statements largely summarize the situation. Like most businesses, the war efforts pushed circus survival nearly to the brink in some instances. Dramatic development and expansion took place thereafter, until the Panic of 1873 put a damper on the economy. There are a variety of articles that shed light on the circus during the war, as well as memoirs, articles, etc. If you have a specific area of interest or need, clarification thereof might enable additional references to be provided for your purposes. Fred Dahlinger

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3282. Muriel Wirth, rider, 27 Feb 2010 - Hello I am trying to find history on my Great Grandmother known as Muriel Wirth (full name Annie Mida Muriel Wirth) She was supposedly a bareback rider in the circus, however, I cannot find her name in any searches. She married twice once to a Thomas Walters lived out her life in Lithgow NSW. She was petite (under 5' tall) attractive and looked European. She died in the early 60's in Lithgow Hospital. Can anyone help please? I have a beautiful picture or her with her eldest daughter Leah who is my Grandmother. Thank you, Susan. Reply to this message, replies go to this board, not to the message sender.

    Reply: 28 Feb 2010 - If you go to www.circushistory.org/History/BriefU.htm on the CHS website and scroll down to Wirth's Circus, I think the information on a Muriel Wirth there may be your great grandmother. If so, it appears her father was Harry Wirth, one of the showmen Wirth brothers. You'll have to read down to the bottom of the section on the Wirth's Circus to view the possible family connection. You will want to try to find a copy of The Travelling Wirth Family: a history of our ancestors as musicians, miners and Wirths' Circus including descendants, by Gayle Maree Speight; Stephanie Wirth; Margaret Wright, 2005. And the publications of Mark St. Leon who has done extensive work on the Wirth and St. Leon families. - J. Griffin.

    Reply: 01 Mar 2010 - I don't know how to thank you! It's my birthday today and this information is invaluable Annie Milda Muriel Wirth is the same as in the article link you sent me. She is the daughter of Harry all the history I have been researching revolved around Phillip no wonder I couldn't find her. Her second husband was W Lewis known as Bill and their farm was in Bowenfels I remember it well. My mother has many pictures from those days.I have four daughters I will pass the information on to. It explains my love and success with horses and my daughters' talent with music.Thank you thank you thank you. Susan

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3281. Steam calliope film, 26 Feb 2010 - Does anyone with your organization now the whereabouts of a 16mm film called The Mighty Steam Calliope. It is supposed to explain the last surviving steam calliope in Southern Ontario, Canada. Is the film available on VHS tape or DVD disk? If so, please get back to Mr. John Archer Slobodin at john.slobodin@yahoo.com. Also, is the film available for interlibrary loan? Thank-you. Reply to this message, replies go to this board, not to the message sender.

    Reply: 27 Feb 2010 - The calliope film is controlled by the National Film Board of Canada. Their website will be found in a Google search and then you can search their site for the information you desire. Fred Dahlinger

    Reply: 20 Nov 2011 - The film is available for viewing on the N F B website. Dale Wideman

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3280. Hinerman Sisters, 26 Feb 2010 - Does anybody remember the Hinerman Sisters from Ringling Bros. back in the 50s? I think they were known as the Hines Sisters? FCastig. Reply to this message, replies go to this board, not to the message sender.

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3279. Patrick McManus, 21 Feb 2010 - Hello, I am trying to trace a family member that reportedly spent time with an American circus before 1870. Possibly 1862 – 1868? His name was Patrick Mc Manus and he would have been a horse man or who knows what! Bye for now, Catriona. Reply to this message, replies go to this board, not to the message sender.

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3278. Mills Bros., 21 Feb 2010 - Hi Everyone,I was with Mills Bros. in 1963. Started from Jefferson and left show in Mass. Willie was the one that brought me on board. I worked for Harry, and operated the cotton candy stand and Willie oper. the snow cones. Came back after the army in spring of 1966. Willie had married Olive (from england/show girl) worked the ropes and balls etc. along with her sister. Whitety or anyone interested in contacting Jeff or Willie can e-mail jpizel@aol.com, say Mills Bros. in the subject so I don't think its garbage. I live in Ashtabula now. 2001 my 1st wife died, we had been married since 1967 and lived in her home town of Jefferson for all those yrs between. There is another man in the area from the 60s with Mills Bros. His name is Doug. He worked around the horses, and we get together now and then. Anyone from then wants to talk, just use above e-mail. My best wishes for ONE and ALL. Reply to this message, replies go to this board, not to the message sender.

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3277. Al G. Barnes, M. L. Clark, 20 Feb 2010 - I was wondering if anyone could tell me anything about AL G Barnes and or ML Clark and Sons Circus. I know that AL G Barnes operated from 1906-1938 and ML Clark and Sons operated from 1883-1930 then again in 1943 and then again from 1945-1946. I have two posters I am trying to get history on they are stamped and very unique. Any help would be greatly appreciated. I am having such a difficult time on finding any history on these two names of circus. I have only found a few things but nothing with any significance. I also know that at least one was printed from a company call the Riverside Printing Co in Milwaukee, WI. The one poster with AL G Barnes has a huge panther in it, I don’t know if that holds any significance or not. AL G Barnes also says on the poster wild animal. I think the most unique part about them is they are done on wood and the wood is like a picture frame carved and everything. It’s as if they were hand painted but I don’t think so for the fact that is has Riverside Printing CO on it. Again, any help on the direction I need to take would be so appreciated. Thank you in advance, Sincerely, Dalene Dube. Reply to this message, replies go to this board, not to the message sender.

    Reply: 21 Feb 2010 - While our website does not allow the posting of photos or images, If you'll email these photos to me, I can at least see them and perhaps ask some other historians far more knowledgeable than myself. Bob Cline fivetiger@shtc.net

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3276. Midway games 1890-1920, 20 Feb 2010 - I am seeking information on games played on the midways of early circuses and carnivals, most specifically of the years 1890-1920. Any information about the types of games, manufacturers (or whether games were not constructed by companies), and popularity of such is most appreciated, as are any links to additional sources. I am also seeking information about the types of prizes awarded at such events. This information is for program enhancement for a special event at a major living history museum. Thank you, A.N., Michigan. Reply to this message, replies go to this board, not to the message sender.

    Reply: 03 Mar 2010 - The back end shows were colorful, but the front end boys raised it up a few more levels. Many of the early games found on the North American fairground and the circus lot were carryovers from England and Europe. If you look in French fairground books of the late 19th century you will see drawings of games like the "swinger" that became popular, alibi joints in 1950-'60's midways were also here. The popularity of a game can go up and down and many have seen several revivals at different times.
        Grifters or operators of rigged or controlled games around the circus favored small gaming equipment that could easily pocketed away - hence three card monte, the pea under the shells or nuts. The best players could work them on top of a held newspaper or the top of an umbrella. The first "New York Clipper" ad I saw for a controlled wheel for operation in a sideshow was in the 1870's. By this time wheels, drop cases and other self-built gambling or gaming devices were common on the show grounds. The later were also in use on the fairgrounds.
        The gaming business didn't really take off until the early part of the 20th century, when numerous companies started manufacturing specific prizes for the games, bingo stands, etc. The manufacture of prizes in huge quantities allowed for reasonable priced stock. An assortment and variety of prizes made of cloth, felt, plaster, composites were cheaply priced by the dozen and usually sold by the case load - or gross. The type and style of prizes followed popular events, patriotic ideas, and fun subjects. I don't know exactly the year that plaster figures of human characters and animals came onto the show grounds but it was around the first world war. They became the dominant prizes along with pillows, blankets, and food baskets, boxes of chocolates and cigarettes and cigars. These items dominated the prize selection into post World War Two.
        The famed kewpie doll was first a plaster figure. Boxes of chocolates were big give always and in the 1930's; chocolate manufacturers worked hard to come up with a formula to keep chocolates from melting quickly in the heat.
        Not only were there big manufacturers of prizes, but also several well known manufacturers of gambling and gaming devices. E.C. Evans in Chicago was the premier company that issued catalogues and supplied showmen with various gaming devices for decades. Usually the gaffs were so clever and so simple that most players never knew what was going on when a game was controlled by the operator. Besides a half dozen game equipment manufacturers there were numerous showmen in the industry that had a small cottage industry in building carnival games to order. For years, one Coney Island showman specialized in "cat racks." A friend of mine made short range buckets and controlled wheels.
        In the teens and 1920's merchandise and paddle wheels dominated the concession business. Whole wheel joints were full of one particular stock item and wheelmen threw out tons of stock. Some shows would have a dozen wheel joints with each one throwing out a different piece of stock. You could only win that particular prize by playing that game. Midway operators would give concessionaires the exclusive to certain prizes. The gaming business became a big money making proposition as long as operators keep throwing out good quality stock.
        By the mid 1920's controlled games were the way to go for many concessionaire and for many carnival show owners. Despite numerous attempts at certain times to clean up the concessions the flat stores and alibi joints had a field day alongside hanky panks and straight sales stands well into the early 1970's. Some of the best midways had a first class concession department with numerous controlled games. Some argue that the flats and alibis finally killed the gaming industry, but it was a combination of social factors, local gaming regulations, and the fact you could buy plush anywhere. At one time you only found plush toys at carnivals and amusement parks. Once the variety of games were restricted by rules and legislation the row of midway games became a somewhat boring proposition for the average midway trotter. Fewer people carried cash and that killed the flats and alibis.
        Today you rarely see anyone over forty playing a joint. The decline in the quality of prizes (now called slum) given out to everyone on hanky panks and group games lowered the expectations of the game player to the point that many just keep walking past the games. New hot stock items mostly based on T.V. or movie characters come out every few seasons but they are not exclusive to the carnival game business. Now, Bart Simpson plush figures are not only found on carnival games but at every souvenir and gift shop, dollar store, tourist trap, and gas station in the nation. When people know they can buy the same thing for fifteen dollars it is pretty hard to get the game player past that point on the midway.
        Today few carnival owners have a concession department or even know how to properly run one. Shows rely on booked in independent concessionaires to fill the front end lot footage. The carnival game is still about selling space on either a percentage or flat fee basis. Al Stencell

    Reply: 06 Mar 2010 - When a circus let the privilege on the lot such as games of chance, that type of information did not show up in the regular documentation of the shows. What was documented in the 1890 -1920 route books were the sales of concessions such as balloons, whips, etc. show. The June 19,1897 New York Clipper did carry an ad for Coe, Yonge & Co., a firm that was the headquarters for cutlery, canes, toy balloon, jewelry, notions, & novelties for streetmen, auctioneers & agents. Cane racks and knife stands a speciality. They could be reached at 700 Washington Ave. St. Louis. Another advertisement that year noted spindles, wheels, knife boards, cane racks, dice games and sporting goods of every description could be obtained from the Kernan Mfg. Co, 792 W. Madison, Chicago. Possibly catalogues from these companies would help. One of the other ways to document midway games if through photographs. I am aware of one midway stand from c1910 that may have been on the Buffalo Bill Wild West Show or other similar show. It is available in the circus file of the Michigan State University Archives and Historical Collection. It shows a young man with a crooked stick and on the stick are a number of wooden rings. He is standing in front of a knife board about 8 feet across with a slanted back. On it are a variety of awls & punches, table knives, and at least four different types of pocket knives. Some of the knives are prizes. In one case a large knife has a small pistol hanging from the handle.The awls are stuck in the board and have tags that read 10 cents, 25 cents, 50 cents and one dollar. So if you ring that particular awl or punch you get the value of the prize. I do not think that the idea of winning a pocket knife with a cork screw, a large knife with a 12 inch blade, or even a pistol would be suitable prizes in todays world. You could substitute prizes and come up with other items to toss a ring over such as a pop bottle, etc. John Polacsek, Detroit, Michigan

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3275. Pete & Florence Mardo, 18 Feb 2010 - Interested in biographical information about Peter Guckeyson (Pete Mardo), acrobat and clown with Ringling Bros., and his wife Florence Harris, whom he married in 1910. They lived in Akron and Columbus, Ohio. Dave Davisson, Columbus, Ohio. (Davisson.12@osu.edu) Reply to this message, replies go to this board, not to the message sender.

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3274. Pinder’s Circus, Keswick, 18 Feb 2010 - I am researching the subject of evacuees in Keswick (then Cumberland) during World War 2. I have an image of Roedean School girls with a very large poster for Pinder’s New International Zoo Circus on a building end. The only detail I can see are the numbers 30 and 31 – presumably dates in Keswick. The image gives only the date as 1940’s. Can you refer me to someone who could tell me when Pinder’s Circus came to Keswick and where they performed? Sincerely, Brian Wilkinson. Reply to this message, replies go to this board, not to the message sender.

    Reply: 27 Feb 2010 - Pinders New Internatinol Circus was run by my grandfather William Ord Pinder. Keswick would have been visited almost yearly until 1962-3. They stopped touring in WW2 from about 1941 until 1945 when they started again. The site would most likely have been a farmers field (not always the same one). If I can find anymore info I will post it for you. Pinders circus will commence its 2010 tour in England on March 11. George Pinder

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3273. Cole Bros. 2010, 16 Feb 2010 - Is the Cole Brothers Circus still in operation? What is it schedule for 2010 if it still in business? WVP. Reply to this message, replies go to this board, not to the message sender.

    Reply: 21 Feb 2010 - If you will go to their website at www.colebroscircus.com/schedule.htm you will find their route updated throughout the year. Bob Cline

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3272. Jim Murphy, giant, 16 Feb 2010 - I am looking for any information on a possible Ringling performer named Jim Murphy. He was a “Giant”, 7’8” tall. Late 19th or more likely early 20th century. Bob K. Reply to this message, replies go to this board, not to the message sender.

    Reply: 21 Feb 2010 - The following obituary was published in March 1875: - Tom
        THE DEAD GIANT. [From the Baltimore Sun] - Mr. James Murphy, Jr. a giant who has been keeping a restaurant at 151 South Chester street, on Fell's Point, in this city, for a year or so past, died early yesterday morning of a bronchial affection or consumption. Mr. Murphy was born at Waterford, Ireland, and was therefore a full blooded Irish giant, and a large one, standing near eight feet in his stockings. He was 33 years of age and unmarried. Some months ago, when he was in comparatively good health, he weighed 351 pounds. He had weighed more when his health was better. He had been in this country twenty four years, having been brought here by his father and mother, who still live at the house on Chester street. The giant traveled three years with Barnum as one of the great living curiosities of the world. In his professional career he visited every part of the country, from Maine to California and the extreme South. After terminating his engagement with Barnum, the giant traveled with a circus, where he contracted the bronchial disease which finally ended his life. When in good health he had a fresh, pleasant face and like all large men, and particularly all giants, except those of the story books and nursery tales, was as amiable as he was great in stature. He had a very youthful expression of countenance, coal-black hair, and his hands were so large that one of them could cover the head of an ordinary man, just as an ordinary hand would cover an orange. His feet were not so large proportionately as the hands, but beside an ordinary shoe one of his shoes would seem to be a sufficient habitation for "the old woman" of the story book, who "had so many children she did not know what to do." When the undertaker came to measure the dead giant for his coffin it was found that the deceased was full eight feet long. Surely the measure of man is correctly known when he is dead. The coffin will be nearly 8 1/2 feet long. The body was visited by hundreds of people yesterday, the giant being well know on Fell's Point, where he was justly esteemed for his amiability, especially by the children, who, after the first shrinkage, generally liked to be taken in his arms and celebrated so far above the heads of their parents as he could conveniently hold them. Some of the little boys in the neighborhood knew him only by the name of "the Gi'nt." The body lay in a small room about twelve feet square, against the south wall, feet towards the west, stretching almost across the apartment from side to side. Candles were burning at the head and foot and sides of the corpse which was covered with a black pall, with a large white cross on the breast, and crosses in the corners of the cloth. The father of the giant who is 65 years of age, probably older, is a large man. When at his best, he stood over six feet in his stockings, though he is now a little bent. The mother is not a large woman, being not above the medium size for the sex. She is nearly her husbands age. Both the old people are in good health, and seem vigorous for their years. Including the giant, they have had born to them five sons and three daughters. One son only is alive. Some of the children were undersized. Only one, a son, attained to the size of the father, except the giant, who exceeded the growth of the parent by nearly two feet.

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3271. Poster history needed, 16 Feb 2010 - I have two posters that we have inherited, my wife's family had two different circus/troupes an we need to find out any history if possible. The first one is: Dressen and Morris Circus varieties this one is a poster for Madisonville, Ky. Seceond one is: Bob and Mae Morris Troupe. Thanks, Ron Wyatt. Reply to this message, replies go to this board, not to the message sender.

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3270. What circus, 1890s, 15 Feb 2010 - My great grandfather left home and joined the circus when he was 14, around the year 1890. He toured with the circus in places like Chatanooga, TN. He said in his autobiography that anyone could join the circus and they would be given room and board, but no pay. Here are some things he said:
    And about all they showed you at the show grounds was a tight wire walker and a woman holding a snake, a tattooed boy all covered with ink and a pug nose dog call the "The Missing Link". And believe me the groups of people on the street never failed to follow this parade right into the show grounds.
    He traveled all over the southern usa to St. Louis and Kansas City. Do you know what circus this was? Could you point me to where I could find more information about this circus that he was a member of? Thanks! Matt. Reply to this message, replies go to this board, not to the message sender.

    Reply: 16 Feb 2010 - You could greatly enhance your research efforts if you can find any town he played in with an exact date. In other words, did he play in St. Joseph, Missouri on Saturday July 19th? By having a day and date, you can pin down the exact year and then it's only a matter of finding out which circus played that town, that year. Good Luck, Bob Cline

    Reply: 16 Feb 2010 - If your great-grandfather left no remnants of paper or photographic documentation relating to his show life, the possibilities to identify his employer(s) will be limited. If he mentioned no titles, proprietors or artists of note, that will also be a stumbling block in the search for identity. The description that you provided could apply to a circus side show, but could also refer to other activity including a side show that frequented county fairs. What people have termed a "circus" can indeed mean different things. The best way to identify the show(s) involved will be to extract from the memoir the exact cities and dates where he traveled. From this rudimentary itinerary you must then go to: (1) compiled circus routes; (2) trade journals like the "New York Clipper"; and (3) newspapers in the communities visited. If you're lucky, a combination of these might direct you to a conclusion. Be aware that memoirs written long after the fact usually mix dates and places, and people and events. They can sometimes prove impossible to unscramble. If there's any form of daily diary, sequential listing of show engagements, etc., you might list it herein and someone might be able to assist you directly. Fred Dahlinger

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3269. Trapeze fall, Tacoma WA, 15 Feb 2010 - Over 50 years ago (as a very young child) I witnessed a woman trapeze artist fall in a horrific accident at a circus in Tacoma, Washington. Can you find this event and information? Did she survive? I was whisked out of the tent and have always wondered what happened. David Petersen (Tacoma, Washington). Reply to this message, replies go to this board, not to the message sender.

    Reply: 17 Feb 2010 - www.circopedia.org/index.php/Miss_Mara "On March 1, a month and a half before making her U.S. debut at Madison Square Garden, Mara had given birth in Seville to her only child, Enriqueta. Mara would eventually spend six years in the U.S., but on September 11, 1953, in Tacoma, Washington, she fell again — this time with very serious consequences. She had to undergo no less than seven surgeries. Still, on March 4, 1955, she returned to Ringling with her original act unchanged." Bob

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3268. History of the circus, 13 Feb 2010 - Is there a comprehensive history of the circus? By this I mean a history from at least Roman times, or earlier I suppose, through current circuses? K Freitag. Reply to this message, replies go to this board, not to the message sender.

    Reply: 16 Feb 2010 - The simple answer to your question is "no." There hasn't been a general circus history published for several years, so there's nothing covering the past few years. There's also a definitional problem in that the modern circus, starting in England in the third quarter of the 18th century, doesn't have a direct connection with ancient times other than the word (which changed meaning) and in some of the types of activity seen.
        Most general histories have major flaws in their content, or lack coverage of significant activity, which recent scholarship has exposed. Taken on a worldwide basis, the topic is also so extensive that a single volume could hardly do it justice.
        If you can narrow your focus, it may be possible to recommend one or more texts or volumes that provide coverage. A good start is to check the articles, book titles and other material that can be found on this website, under the History, Publications and other icons on the home page. If you're seeking a single volume for a course reading, it's still awaited. Fred Dahlinger

    Reply: 22 Feb 2010 - Fred of course is correct. But if you are prepared to look at more than one book, and you are looking for something more than an overview, then try the following in combination.
        Circus - A World History by Robert Croft-Cooke and Peter Cotes, published in London 1976 by Paul Elek Ltd. The Astley circus doesn't begin till page 39 and the all the previous pages cover Roman and medieval developments. I've seen a French language version and would expect you should find this in the USA through one of the secondhand book search engines.
        Circus by Rodney N. Mauser, published in the UK 1987 by Richford Enterprises Ltd. A good follow on from the above, full of pictures - the first 106 pages are all pictures. The text begins on page 107 - you guessed that didn't you?!!? Concentrates on the 20th century world wide.
        The Golden Age of Circus by Howard Loxton (with David Jamieson, a UK authority on circus) published London 1997 by Grange Books Plc. One of those coffee table general interest books but none the worse for that. Covers the background briefly and then concentrates on the period 1900 to 1939 and again, world wide. Tony

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3267. Naomi Ruth Graham, 13 Feb 2010 - Hi, I am looking for information on a Naomi Ruth Graham born in Pittsburgh Pa in 1892 also called Buster Mack she rode as a trick rider in the 101 Ranch Wild West Shows as well as Ringling Bros Show in or around 1905. Randall. Reply to this message, replies go to this board, not to the message sender.

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3266. Lavinia Warren Bump, 12 Feb 2010 - I'm curious about what, exactly, Lavinia Warren Bump (Mrs. Tom Thumb) did while on her cousin's floating museum on the river. I know what her "act" consisted of while with Barnum, but cannot find any description of what she did as part of the museum when she first left home, not even in her memoir. Thank you! Melanie Hauser. Reply to this message, replies go to this board, not to the message sender.

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3265. Book, Great Southern Circus, 12 Feb 2010 - After many years of research, I have published a historical novel that may be of some interest to your readers. This novel chronicles the tour of Orton and Older's Great Southern Circus through the southeastern United States from 1859 through 1861. Below is a link to my book. Thank You, Nick West. "Great Southern Circus," www2.xlibris.com/books/webimages/wd/75093/index.htm. Reply to this message, replies go to this board, not to the message sender.

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3264. Circus history, Italy, Portugal, Spain, 12 Feb 2010 - My name is Silvia Rondoni and I found out on the internet about your society. Im looking for information about Circus History in Italy, Portugal and Spain. My great-grandfather was a clown in a circus as well as his brother. If you could give me some advice or if there is anything in your archives that could help me with my research I will be really grateful. Thanks in advance and have a nice day, Silvia Rondoni. Reply to this message, replies go to this board, not to the message sender.

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3263. Great Coleman's Circus, 12 Feb 2010 - Hi I have an old titles 'Great Coleman's Circus and Kit Carson Himself in Person.' Pictured on one side is Kit Carson (Photo of him with long hair) and an elaborate trapeze, on the other side are elephants, clowns, bears, the big top, etc. It measures about 10" x 27.5". The poster is in poor condition. There is significant edge wear as well as many poor tape repairs. I cant find anything about the Circus to date this. I'm from Pgh PA and my name is George. Thanks. Reply to this message, replies go to this board, not to the message sender.

    Reply: 17 Feb 2010 - Great Coleman Circus. The Coleman Circus was a truck show in 1929. There were a number of financial problems that season and by July the show was sold to John Pluto. He reopened it August 3 at Hudson, Michigan under the Great Coleman title. One of the new features on the show was the nephew of Kit Carson, a 75 year old gentleman who last toured 17 years earlier. Your advertisement is a herald not a poster. Ted Bowman Circus Route Collection

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3262. Ray Kaser, 12 Feb 2010 - Hi, I purchased a cache of 1940's-50's negatives of circuses (Ringling B&B, Viohl Bros., Roger Bros.) as well as sideshow banners, burlesque acts, and miniature circus setups by a Ray Kaser of Aberdeen Maryland. I can't find out much about him, and was wondering if anyone ever heard of him. LK. Reply to this message, replies go to this board, not to the message sender.

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3261. Bill Bailey, Circus Artist, 08 Feb 2010 - Along with Forrest Freeland, Bill Bailey was one of the 20th Century’s most prolific circus poster artists, and his designs exist on many posters for the Ringling-Barnum Circus beginning about 1943. Whether it was for specs like “Pantos Paradise” or lithos depicting Merle Evans, giraffes or rhinos – thousands of lithos using his artwork were printed and posted by Ringling-Barnum through the 40s and into the late 1950s. I am looking for background on Bill Bailey himself. I have heard that he was once a clown (perhaps with Ringling-Barnum?) but have never been able to confirm that. Does anyone have any background on Bill Bailey – circus poster artist? Chris Berry email: circusposters@gmail.com. Reply to this message, replies go to this board, not to the message sender.

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3260. Daniel E. Boone’s Circus, 05 Feb 2010 - I am trying to trace the travels of Boone’s Circus around the 1880’s to 1890’s and any information on their lion tamer Theodore Nissen and his partner Martha Young. Boone’s Circus may well have been touring in the UK in 1881/2. Any and all information; or where to get such information would be welcome. David Small. davidcsmall@netscape.net. Reply to this message, replies go to this board, not to the message sender.

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3259. Riggs Circus, 02 Feb 2010 - I am seeking information on the Riggs Circus. It may have originated in Monticello or Becker, MN. My father, Grover Frank Riggs, was adopted by the Riggs family in Becker MN in 1919. He was given a poster of the Riggs Circus that shows a man walking the tightrope. I am unsure of the origin of the poster because there is no information on the poster. I would love to find a reproduction of the poster or to find more info on the circus. Thanks, Lori Karnau Becker, MN. Reply to this message, replies go to this board, not to the message sender.

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3258. Ken Maynard, cowboy, 01 Feb 2010 - I’m looking for confirmation that cowboy western star Ken Maynard was with the Ringling-Barnum circus for a period between the end of his World War I military service and 1923. According to one biography of Maynard he was a “rider” on Ringling-Barnum during the 1923 season and while the show was playing Los Angeles in mid-September, actor Buck Jones encouraged him to audition for a silent movie. That auditin led to a contract with Fox and more than 90 films. If the story is correct, was 1923 the first season that Maynard was with Ringling Barnum? Did he appear during the main performance, or during the aftershow? Prior to his Ringling-Barnum employment did Maynard work for other shows and if so – what shows and what years? Chris Berry, circusposters@gmail.com. Reply to this message, replies go to this board, not to the message sender.

    Reply: 02 Feb 2010 - According to the article written by the late Gordon Carver in the March-April 1985 of the Bandwagon, Maynard was a first of May on the Great Van Amburg and Howes Great London Shows in 1914. He was in the after show and worked for W.H. McFarland,Jr, along with 12 other persons. p.j.holmes

    Reply: 02 Feb 2010 - Judge Robert H. Gollmar, in his book "My Father Owned A Circus," declares on page 195 that "In 1915 Ken Maynard was officially listed as a bronco-buster for Gollmar Brothers, and in 1916 Charles "Buck" Jones was boss of the concert." I suspect that "officially" means the show route book or program. The book also includes a later, incidental photo of Maynard. Better yet, Maynard wrote Gollmar about his show experience and it fills most of the pages to 201. Therein he states he was with RBBB in 1923. The Gollmar business ledgers are in the CWM library and would possibly provide further confirmation.
        It's possible that the reviews of the 1920s RBBB openers in the Garden, as printed in "Billboard," would list Maynard in the cast.
        I believe that a number of years ago an article was printed in "Bandwagon" about cowboy matinee idols. There's also a Bandwagon article about the Ken Maynard Wild West of 1936. These can be found in the article index. Unfortunately, Maynard's personal and business papers, intact until the past decade or so, were sold and dispersed far and wide. Fred Dahlinger

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3257. Blondin, 01 Feb 2010 - Hello, knowledgeable people! I've been doing research on Blondin, the man who walked across the Niagara Falls and performed in circuses cooking an omelet on a high rope. I'm confused about one thing, his name! In half of the sources I've read his name is Émile Gravelet, and the other half say it is Jean Francois Gravelet. Which is it? Leslie. Reply to this message, replies go to this board, not to the message sender.

    Reply: 15 Feb 2010 - So far as I can tell, he was born Jean Francois Gravelet then changed it to the more English-sounding Charles Emile Gravelet. He was already using the stage name Blondin in Jun 1851 - the earliest reference to him I could find in historical American newspapers. At that time he was simply referred to as a "rope dancer." - Tom H.

    Reply: 19 Feb 2010 - Thank you so much! - Leslie

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3256. Willi Hagenbach, 31 Jan 2010 - I'm looking for some information about a animal trainer that lived about 80-90 years ago and trained 60 polar bears in a steel arena outside. His name was Willi Hagenbach and he was also was a cousin of Carl Hagenbach. Would anyone have any information about him since he is mentioned in the book Tiger Tiger written by Charly Baumann. Andrew. Reply to this message, replies go to this board, not to the message sender.

    Reply: 02 Feb 2010 - Look for Willy Hagenbeck posters and photos www.circusmuseum.nl/eng H.Best-Otte

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3255. Lindsey, clown, 30 Jan 2010 - I was trying to locate a friend who ran away with the circus. Her name was Lindsey and I saw her in the show at Madison Square Garden. She was a clown and swung from ropes around the arena. She is a smallish blond girl. She was named Kathy and changed her name to Linsey for a stage name. I have been trying to locate her for a few years from Palo Alto, California. Any ideas? Linzy Norton. Reply to this message, replies go to this board, not to the message sender.

    Reply: 31 Jan 2010 - Your request doesn't provide much information. You'll need to be a little bit better with a time line and perhaps a last name to get any help at all. If you know what year for sure, you can check the Ringling programs which listed all the cast members. The Programs are easily found on eBay most of the time.
        Just as a shot in the dark, I was on Circus Kirk in 1974 with a girl from California named Kathy Herb. She later went to Ringling Clown College and toured as a clown with Ringling for a few years. She would have played in the Madison Square Garden on the Ringling dates at least two times. I'm not aware that she used the name Lindsey. She has since passed away. Sorry it's not much help. Bob Cline

    Reply: 17 Jul 2010 - Hi, for the record, I'm Kathy Herb (and very much alive!). I was on Circus Kirk, and then on Ringling until Dec. 81. I then went back to college, became a high school teacher, and have taught Drama and English for over 25 years! I'd love to hear from Circus Kirk alums! Kathy Herb.

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3254. Canvas banner, 30 Jan 2010 - I have a 12' x10' canvass banner made by E.J Hayden & Co. Studio, 106-110 Bwdy. Bkly NY for cheating poker players, very graphic with card players & card hands. Can anyone tell me about the Hayden Co? Would like to see it go to a good home. Thanks, petekeim@comcast.net. Reply to this message, replies go to this board, not to the message sender.

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3253. Ferris wheel accident, 1930s, 29 Jan 2010 - I would like to know if there was an accident concerning a young girl falling out of a ferris wheel in the 1930’s causing her death. The incident happened at the circus ferris wheel. Kind Regards, Sofia. Reply to this message, replies go to this board, not to the message sender.

    Reply: 30 Jan 2010 - The pleasure wheel or rotary swing, commonly known starting in 1893 as the Ferris Wheel following the design and erection of a mammoth example at the Chicago world's fair, is among the safest of mechanical thrill rides. The simple, slowly rotating assembly of structural steel has a generally excellent safety record. Death and injury associated with the wheel is usually associated with misbehavior or fear on the part of the rider(s). The elevation and motion of the wheel can impact the emotions of some, resulting in inappropriate actions, such as standing, that may precipitate their exit, falling or spilling from the wheel seats. This has been the most frequent explanation for injury or death of riders, beyond outright horseplay or risky behavior. There may be some instances when ride owners failed to properly erect, maintain or operate a ride, or fail to clear it of riders quickly before the onset of wind, circumstances that have resulted in injury or death.
        Only one circus ever featured a wheel. Fred Buchanan's Yankee Robinson show had one on his midway in or about 1915. A photograph records it there. That was the year in which ride builder C. W. Parker placed one of his "Carry-Us-All" merry-go-rounds on both Buchanan's outfit and also on the Sells-Floto Circus. They proved beyond doubt that the rides could be moved on a daily basis, but the action didn't stimulate ride sales to circuses. The pleasure wheel remained associated with the traveling carnival, the amusement park and the world's fair midway.
        There are instances of rides or entire midways being erected adjacent to a circus show grounds, attracted by the show's ability to attract a crowd. Yet, it should be understood that all such installations were not part of the circus proper.
        Thus, it was not a circus which incurred the death that you refer to in the 1930s. It may have been at another amusement site offering rides.
        Probably the worst accident in pleasure wheel history took place at Clason Point Park, in the New York City borough of the Bronx in June 1922. Seven people were killed and 26 were injured when the vintage wheel located there collapsed during a surprise, heavy wind (sounds like a freak tornado) incident that went through the area. The owner, one Paul Simon, was held on a charge of homicide. The wooden towers supporting the rotation shaft bearings failed, precipitating the fall and collapse of the wheel and the resultant death and injury. There is coverage in the New York "Times" of June 12-14, 1922, and elsewhere. This items list the dead and injured:
    http://query.nytimes.com/mem/archive-free/pdf?_r=1&res=
    9A05E4DB1E3EEE3ABC4A52DFB0668389639EDE
    http://query.nytimes.com/mem/archive-free/pdf?res=
    9504E0DF1539EF3ABC4B52DFB0668389639EDE
    Emily Lawyer, a nine-year old girl, was among those who lost their lives.
        Mary Louise Wilson, a 13-year old girl from Point Lookout, PA, stood up in a Ferris wheel car, causing it to invert. She died July 9, 1930. There are likely to be other such incidents in different locals through the 1930s. You can do further searching through www.newspaperarchive.com, Google, other digitized newspapers, etc. Fred Dahlinger

    Reply: 30 Jan 2010 - The Ferris Wheel is a mechanical device that is not easily put up and down on a daily basis. The Carnivals utilized them extensively allowing them to saty in one place for five to ten days at a time before having to take it down and move it again. The Circus however, made a living for the most part by being mobile and moving nearly every day. The circus provided its entertainment in pomp, circumstance, pagentry and costumed regala but most importantly in hard earned skills and training. The Carnival on the other hand provides amusement devices for you to ride for your entertainment.
        The most popular Ferris Wheels manufacturer is the Eli Bridge Co. out of Jacksonville, Ill. You can find out more about them at their website http://www.elibridge.com/ Although there have been other manufacturers and even different configurations such as the double ferris wheel (one turning wheel on each end of two giant arms that all revolves) the double, double ferris wheel which was two double ferris wheels side by side, the Big Eli is the most well known wheel.
        Concerning the accident you are asking about, I cannot offer any assistance. I can however tell you a very similiar accident occurred in Myrtle Beach at the Pavillion a few years ago. Here's the article.
    http://news.google.com/newspapers?nid=1665&dat=19910724
    &id=P1QaAAAAIBAJ&sjid=UiUEAAAAIBAJ&pg=5621,4617507
        Maybe this helps a little. Bob Cline

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3252. Charles Harry Groff, Ringling circa 1932, 28 Jan 2010 - I haven't been able to find much about him and any info would be great. The story is that he was a lion tamer but this is sketchy information, and I'm pretty sure he was in the circus in 1932 although his employment may have started many years prior and continued many years after that. I found one listing of a "C. Groff" as a Seat Butcher for Ringling in the 40's. What is a seat butcher anyway? If anyone can help, please send an email to randy.phelps77@yahoo.com. Thanks! Reply to this message, replies go to this board, not to the message sender.

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3251. Virginia City, NV mid 1800s, 27 Jan 2010 - Hello, Im not sure if you could help me or not, but I was wondering if you knew of any traveling circuses that may have traveled through the Virginia City, NV area in the mid 1800’s? If so, could you possibly let me know the name or names of them and when they did go there? I am sort of doing a history project of entertainment in the 1800’s for the Virginia City Area, beyond the gambling and drinking haha. Anyway, if you could possibly e-mail me back either at nmo51683@yahoo.com or on this e-mail, nikkio@accessfleet.com, as well I would sincerely appreciate anything you might come up with. Thank you. Nikki Olson. Reply to this message, replies go to this board, not to the message sender.

    Reply: 28 Jan 2010 - I don't recall the earliest circus date in Nevada, but it's likely a circus that came across the border from California. I'd suggest checking Chang Reynolds' book about California circuses, "Pioneer Circuses of the West." You'll probably not find too much before 1850, with most larger circus activity coming after the completion of the transcontinental railroad in 1869.
        Ascertain the existence of roads that reached into or crossed Nevada, those would have been navigated by the overland shows. Study the formation of the railroad network and you'll learn when and how railroad shows would have arrived and departed the state.
        If no one has compiled a listing of Nevada circus dates, you can start to do so by: [1] Googling around; [2] start to scan newspapers available directly or via interlibrary loan; [3] find Nevada and other newspapers with key word searching capability that may have carried news via exchange.
        1862 Nevada law governing circus appearances:
    http://books.google.com/books?id=7z44AAAAIAAJ&pg=PA168&dq=
    circus+nevada&lr=&as_drrb_is=b&as_minm_is=0&as_miny_is=1800&as_maxm_is=
    0&as_maxy_is=1900&as_brr=0&cd=6#v=onepage&q=&f=false
        You might look into the 1869 Dan Castello Circus route, which was the first circus across the transcontinental railroad. There's a somewhat detailed article about it in the CFA journal "White Tops," in 1969. [WT index on this website]
        A hit for Virginia City, NV came up immediately for July 2, 1870 for the Dan Castello Circus, on this website: http://www.circushistory.org/Thayer/Thayer2k.htm
        The 1872 San Francisco Circus and Roman Hippodrome was in Nevada in 1872, another hit on this website: http://www.circushistory.org/Clipper/Clipper1872-73.htm
        Montgomery Queen [July 1874], James A. Bailey [Cooper & Bailey at Virgina City Aug 29-31, 1876], Adam Forepaugh [1877-Virginia City May 6-7, 1878] and W. W. Cole [1878] all took their railroad circuses across the nation to California in the 1870s on the transcontinental railroad. That means they played in Nevada; Reno, Virginia City and other communities along the railroad right of way.
        Here is something about John Robinson in Reno in 1883:
    http://books.google.com/books?id=keQ7AAAAIAAJ&pg=PA377&dq=
    circus+nevada&lr=&as_drrb_is=b&as_minm_is=0&as_miny_is=1800&as_maxm_is=
    0&as_maxy_is=1900&as_brr=0&cd=1#v=onepage&q=circus%20nevada&f=false
        I think that John Polacsek of Detroit recently delivered a paper before the Circus Fans Association convention in Las Vegas about the circus history of Nevada. If you contact him he may be willing to share it with you, or advise on its publication.
        Bill Biggerstaff of Graphics2000 is a great and long-time circus enthusiast and collector and may have some pertinent Nevada materials. He's in Las Vegas. Fred Dahlinger

    Reply: 04 Feb 2010 - There is a lithograph at the Circus World Museum of the Montgomery Queen Circus with a Virginia City date. Sid

    Reply: 07 Feb 2010 - The presence of circuses in Virginia City notes that they came from the California before the northern railroad was completed in 1869. Wilson's Circus - July 1863; Lee & Ryland Circus - May 1865; Cooke, Zayara & Wilson - July 1865; Lee & Ryland - July 1866; Blaisdell & Constable's Golden State Circus - June 1868; Stickney's Circus - July 1868; Bartholomew's Great Western Circus July/August 1868; Charini's Circus - October 1868; Wilson's Great World Circus - June 1869; Dan Castello's Great Show - July 1869; Nelson's Circus - May 1870; Oriental Circus May 1870; Atlantic & Pacific Circus June 1871; Great San Francisco Circus June 1872; Conklin Brothers - September 1872; W. W. Cole's Circus - May 1873; Wilson's Circus - June 1873; Palace Amphitheatre - June 1873; Montgonery Queeen Circus - June 1874; Jackley's Circus - July 1874; Montgomery Queen Circus - June 1875; Cooper & Bailey Circus - August/September 1876; Montgomery Queen Circus - June 1877, Adam Forepaugh Circus - August 1877. Ted Bowman Circus Route Collection.

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